This was the
first opportunity to see the band in what for me was to be something of a
pivotal gig. Three of us made the journey up from my hometown of Burgess Hill (incidentally
scene of a very damp, low key date on the 2000 ‘Alone and Acoustic’ tour, a gig
I am sure JJ would rather forget, if he has not done so already!). My
travelling companions on the day were Adam McCready (an old school friend and a
Damned fanatic to boot) and Steve Tyas (with whom I was reunited through the
back pages of Strangled after meeting at the Reading Festival appearance the
previous August).
Taking the tube
from Victoria into the centre of town, a search for a cash point took us round
the back of the Centre Point building at the junction of Tottenham Court Road
and Charing Cross Road. It was here that our paths crossed with another group
of people who, judging by their attire, were in the area for the very same
reasons as us. Amongst this group was Owen Carne, with whom I became friends then and to this day.
As fans started
to congregate, we took ourselves off to ‘The Tottenham’, a pub whose facia
boasted that it was in fact ‘The Only Pub In Oxford Street’. Of ‘The Tottenham’
even though logic says this must be the case, I would say that it is also the
worst pub in Oxford Street and yet in the years to come, it became a regular
gathering point for Stranglers related events (I suspect that the pub’s
proximity to the Dominion Theatre where the band played five consecutive dates
on the Aural Sculpture tour is the likely reason it was used).
This was going to
be a late one as the doors to The Astoria were not due to open until 11pm. And
so it was that we had the chance to make the most of the available licencing
hours. This of course meant that the majority of the audience that night were
perhaps less ‘clear thinking’ than perhaps they would be for a normal gig.
Either way it seemingly gave the venue security (let’s call them ‘Bouncers’
here) all the excuses they needed in order to apply their heavy discipline with
impunity. The violence at the hands of the bouncers is my enduring memory of
this gig, both before and during the Helmet’s set. A succession of punters were
manhandled down the steps to the right of the stage to be delivered into the
hands of more bouncers who delivered further blows before ejecting the bruised
‘miscreants’ through a rear door and onto the street. A similar fate almost
befell Steve Tyas. In the gents toilet (also down those same stairs) Steve has
emptied a soap dispenser to respike his hair (those were the days!) and on
leaving the loo, a wobble must have caught one of the bouncers eyes. Apparently
reading this to be a sign of imminent trouble, a wide-eyed, soapy Steve was
picked up (we were all young and skinny then) and hurled through the back door.
I am not brave so I can only assume that it was dutch courage, I started to
argue with the bouncer to get Steve back into the venue… and somehow it worked.
Nerves were a bit
frayed by the time the band eventually came on at about one in the morning.
However, tiredness and the early onset
of a hangover were swept away with the opening bars of Sam The Sham’s ‘Wooly
Bully’. ‘We are The Purple Helmets…
coming from our hearts into your heads’ announced Alex Gifford. The set
was great, it being, with one exception, a track by track run through of the
recently released ‘Ride Again’ album, with an additional ‘I Saw Her Standing
There’ thrown in for good measure.
It is worth
pointing out here that whilst I was familiar with some of the songs, many of
them were completely new to me (after all I was just 19 and most of the bands
of the sixties were as obscure to me as the Stranglers should have been to my
own teenage son, were it not for an intensive programme of indoctrination followed from an
early age!). The Who and The Kinks? Yes, yes. But The Nashville Teens and Them?
After about an
hour the evening’s (or rather morning’s) entertainment came to an end and with
no possibility of getting back to Sussex we headed around to the stage door in
the hope of having a word or two. Sometime later, JJ and Dave emerged and duly
signed autographs for the gaggle of ardent or stranded fans (both in my case)
still loitering by the exit. This was the first time that I had met any of The
Stranglers and at the time it was an immense thing. I recall at the time I was struggling with
the bass line to a song, ‘Strange Little Girl’ it was (how so you say, but I
was never any good!). JJ gave it some thought, then fingered out the notes on his
forearm. This was really something for me, a personalised, albeit brief, bass
lesson from Jean Jacques Burnel no less!
JJ at the Astoria stage door.
Sadly, the music press of the following week were less complementary about the lads efforts!
Well, you can't win 'em all!
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