FLAC: https://we.tl/t-FuE9ABXfzg71geMG
Artwork: https://we.tl/t-FRu0EEgo6Sj4Okoy
FLAC: https://we.tl/t-FuE9ABXfzg71geMG
Artwork: https://we.tl/t-FRu0EEgo6Sj4Okoy
The culmination of a great Strangling weekend with consecutive gigs in Livingston, Newport and London (didn't get across the Irish Sea for gigs in Belfast, Dublin and Cork). Set included a couple of '10' teasers in the form of 'Someone Like You' and 'Where I Live'.
In response to my posting of The Meffs recently, Krisinblack requested that I continue to post more music by new bands. This I am happy to do and courtesy of good friends of Aural Sculptors I have a clutch of lesser known bands, if not necessarily new bands, from Rebellion 2023 and 2025.
Here's another set from the wonderful Ramonas (thanks Chatts), this time 'Almost Acoustically'. Their electric set from the following Day (4th August) in the Empress Ballroom is on here and can be located from the right hand side bar of the site.
Good to see original material in amongst the Ramones songs.
FLAC: https://we.tl/t-u7JPnqTncrykKE5N
Artwork: https://we.tl/t-wGEsbyp87dLZfjAu
Very pleased to see this one pop up on Dime over the weekend. The version that I had was inferior and as usual DomP has made it sound great by means I do not begin understand. The opening night of a five night residency at the Dominion Theatre in London towards the end of the UK leg of the Aural Sculpture tour. Cheers Dom!
FLAC: https://we.tl/t-Tea6OPkARt1hEtyO
Artwork: https://we.tl/t-wL2Qa4SbcsSuU6hr
It still amuses me to think that in the early '80s I was sitting in classrooms in a funny little school in Lewes High Street, two doors up from the Con Club, decorating the back pages of my exercise books with band logos. At that time, nothing ever happened in Lewes, the sleepy county town of East Sussex. In 1264, rebel baron, Simon de Montfort clipped Henry III's kingly wings and forced constitutional reform, oh and each 5th November Lewes hosts a famous Bonfire Society parade through the town. Other than that nothing ever happened. However, a few short years ago, the Con Club in the High Street started putting on the very same bands that we were all talking about in class 45 years ago!
Here we have one such band, Chelsea in a recording courtesy of the Acid Drops blog site (see 'Other Blog Sites of Distinction' section in the right hand panel of the site.
Chelsea are currently doing the rounds marking the 50th anniversary of the band and punk rock - Chelsea were there are the beginning. However, it is a Gene October-less band on the road right now as the singer recuperates from major surgery.
I am slow on the uptake these days. I have been aware of the name 'The Meffs' for a while, but they have crept up on me a bit. In mid-2025 they seem to be everywhere. From the front cover of 'Vive Le Rock' to a very high rotation on my Facebook feed. I can also see they have hosted a couple of home town festivals under the banner of Meff-Fest with some great bands on the bills. Things do indeed appear to picking up in Colchester. My son Rudi spent there years there (University of Essex) and the only acts I think he saw whilst living in the town were Ian McCullough and Chuckle Brothers!
I have no idea whether there is much love for The Meffs on here... give them a listen. This is a good sounding recording of the bands early doors gig in the Empress Ballroom on the Thursday by Peter... many thanks to him as ever!
FLAC: https://we.tl/t-Xkj2YpVBqo6JNn9o
Artwork: https://we.tl/t-NuqXCO1WSVfbpHOW
Here's another one for all of the detractors of punk as a valid musical genre. As with the previously shared 'Walk On By' post, The Slits' treatment of 'I Heard It Through The Grapevine' is yet more evidence that punk bands dared to cover songs that even back in the late '70s were considered to be classics. The status of such songs, particularly if the work of such influential labels such as Motown, effectively rendered them uncoverable. Record at your peril!
Such dogmatic thinking did not sit well with the original Riot Grrrl band, The Slits, who recorded and released 'I Heard It Through The Grapevine' as the B-side of their debut single 'Typical Girls'. Needless to say version by The Slits is very different from any of the versions that emerged from the Motown stable. This bass driven slice of British post-punk has become something of a classic in its own right. Yet another example of a band reshaping someone else's song to such a radical extent that they can rightly claim a degree of ownership of it.
FLAC: https://we.tl/t-Gb4CJ1SLr4nOwxCn
Artwork: https://we.tl/t-qBDQdsDrDj065DBK
Marvin Gaye's 'I Heard It Through The Grapevine' is now the definitive version of a song that has become one of the best known songs ever written. The song (and specifically the Marvin Gaye version) was inducted into the Grammy Hall of Fame as a work having "historical, artistic and significant" value. In 2008, the song was ranked at No. 65 in a chart marking the 50th anniversary of the Billboards Hot 100.
The version presented here is not a patch on the 1968 'original'. This 1983 version had none of the subtle arrangements sitting behind it. It is rather brash and lacks the charm of the original. Recorded in the summer of 1983, in just nine months time Marvin Gaye would be dead having been shot by his father on 1st April 1984 - apparently someone once wrote a song about it!