Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Sunday, 26 April 2026

Siouxsie And The Banshees (Jannus Landing, St Peatersburg, FL 22nd August 1987) and Kraftwerk (Akasaka Blitz, Tokyo 10th May 2013) - Got It Covered #4

 


Siouxsie and the Banshees never ran away from a cover. It's how they started after all. Their debit gig at the 100 Club Punk Festival on 20th September 1976 entailed a cover of 'The Lord's Prayer' (if in fact that can count that as a 'cover version') interspersed with some other very familiar tunes. Eleven years on from the 100 Club they deemed it to be right and proper that they release an album of covers of tracks by musicians that influenced them. It's a tried and tested pathway that is as old as rock 'n' roll itself... the difference being that by the time that the '80's came around the original recording artists were getting just royalties(I hope!) With a nod to Bowie's 'Pin Ups' (and well, if it's good enough for David well then)... 

The Banshees released 'Through The Looking Glass' in early March 1987 which featured an eclectic selection of covers from some of the biggest movers and shakers within the underground music scenes of the '60s and '70s, including Iggy's 'The Passenger' and Bob Dylan's 'This Wheel's On Fire'. There were also a couple of curveball selections in there, notably 'Trust In Me' from the Jungle Book adaptation by Disney and the dark and deeply disturbing 'Strange Fruit' by Billy Holiday.

The subject of this post though is the track 'Hall of Mirrors', originally recorded and released on Kraftwerk's 1977 album 'Trans Europe Express'. Seemingly, Dusseldorf's electronic kings were aware of the Banshees' tribute to the song, which in turn celebrates the iconic, international train service that transected the European continent, ferrying its passengers in first class style for nearly 20 years. Of the cover, Ralf Hütter is on record as stating "In general, we consider cover versions as an appreciation of our work. The version of 'Hall of Mirrors' by Siouxsie and the Banshees is extraordinary".

The song did form part of the Banshees set in 1987 as in this example from St Petersburg in Florida.



In contrast and perhaps unsurprisingly, Kraftwerk's 1977 original is rather different altogether to Siouxsie and Co.'s version. Reassuringly cold and precise, the song tells of a group of shop mannequins who seemingly tire of posing for the public and instead break through their shop front windows and enter the city (presumably their home city of Dusseldorf). And having gained their freedom, what do these free-thinking showroom dummies do? Well of course they head for a nightclub in order to dance through the night to some of the latest tunes (avantgarde German electronica for sure!). Looks like Ralf and Florian had a premonition 49 years ago of our AI reality today. Whatever, the song paints a brilliant picture that could have come from the imagination of Philip K. Dick.


Kraftwerk did not tour in 1977 and 'Showroom Dummies' never got much in the way of live exposure until the band started their album retrospective tours in the 2010s such as this nice sounding gig from Tokyo in 2013.





Saturday, 25 April 2026

Yet Another Stranglers Linoprint!

 

Jean Jacques Burnel (The Stranglers)
20cm x 40 cm lino print
Black ink on ivory card.

The sewing machine thunders downstairs into the wee hours of the morning, as Gunta enters her final university week in a billowing mass of black cotton and calico. For my part I am keeping a low profile, offering occasional words of encouragement, food and drink to the best of my ability and doing the odd bit of modelling! To this end linocutting/printing is pretty unobtrusive whilst keeping me on the spot in case emergency biscuits are required to be fetched.

So here is JJ Burnel up on one leg in what... 1983? Thanks to Mick A for the image.

It was a great image from which to do a linoprint. Despite the fact that the facial features are reduced down to part of his nose and his cheek, the rest being lost in shadow, there is no room for doubt as to who the subject is. I would go so far to say that even when featureless you know that expression on his face behind the shadow!

Hugh Cornwell Grend Essen 28th October 2006

 


Here's for your listening pleasure is a nice sounding full band recording from one of Hugh's many gigs in Germany. This one comes from Essen in 2006 and comes courtesy of Peter... thanks again! 






Thursday, 23 April 2026

The Boys Interview (Record Mirror 29th April 1978)

So then, The Boys. I'll be honest here in that they are a band that I have never paid much attention to. I knew 'First Time' and 'New Guitar In Town', a collaboration single from The Boy's Honest John Plain and Pete Stride of The Lurkers. Not much is it. In fact whilst transcribing this Record Mirror interview I have heard more of the Boys on Spotify than I have heard in the last 45 years of listening to punk!

Now I can certainly see some similarities with The Lurkers, both bands drawing contemporary comparisons with Da Brudders from Queens. The Boys supported The Ramones at one point over here.

The early involvement of founding members Casino Steel and Matt Dangerfield put them on the spot at the birth of the British punk scene and yet they rarely feature in the established creation accounts! Likewise, they never enjoyed the kind of success that came the way of their '76 contemporaries.

I was going to post a great sounding gig that the band played in Vienne in France in the Summer of 2016. But I then realised that I posted it 9 years ago. I have however supplemented that post with some artwork and both the artwork and the gig can be found here.



ARRIVING at the pre-arranged meeting place I find The Boys have exited for liquid refreshment to a pub a few streets away. They're all there except Jake (the drummer) and they're trying to pass off another reporter as their new drummer; no chance Boys.

That ploy having collapsed they try the old kidnapping stunt but soon realise that RECORD MIRROR wouldn't pay much ransom. And anyway wouldn't they rather abduct Blonde - on - Blonde? Immediate agreement, and they reminisce over the RM cover when the aforementioned beauties adorned it.

While on the subject of RM, Kid talks about his unrequited love for his cat. He once wrote to the problem page about his undying passion but no reply was forthcoming. He moves onto another subject - so you'll never get to find out how the affair ended, maybe they just drifted apart.

The Boys talk about their last gig at the Music Machine, where they kindly laid on a bar for the boys and girls of the music business, they played a really good set, including an appearance by The Yobs. The Boys are rather indignant that nobody reviewed the gig, at this point Cas (the organist) joined the conversation.

Cas is fed up, Cas is bored, Cas is annoyed, Cas is down, (this sort of talk could cause problems), the rest of the band dive on him, strapping him to the table and gag him, metaphorically speaking of course. But there is no trouble, Cas is just depressed because he's been up at NEMS (their record company) putting mailing shots into envelopes, sticking them down and attaching stamps, all without the help of even a sponge to wet the stamps, no wonder he's feeling like he does…

The rest of the band divulge that he's having a piano made with a built in cocktail cabinet so he has something to do with his other hand while he's playing.

They're off to Europe soon and I ask Kid if there are any particular countries he's looking forward to.

"Holland especially, but also Scandinavia although we've never played there, France we're not so crazy about… all they want is rock 'n' roll. They're so conservative".

Cas pipes in: "Their TV's awful as well". Cas likes TV…

The Boys have a new single that should be out by the end of may titled ‘School Girls' and they're really hoping that this will be the, one that gets them the recognition they're trying so hard to get. And if it doesn't?

"Well the next one will, or the one after or the one after that, were not going to give in," says Kid.


The Boys know that records not as good as theirs have made it but as Elton John said not so long ago: "You don't have to be good to make it, you just need good promotion".

The Boys don't have that promotional bulldozer behind them so they're going to have to make a record that will stand out alone, and that ain't easy.

Conversation about their record company gets them near to throwing themselves off the table so an attempt is made to steer the conversation to more cheerful subjects.

"What about the girls, Boys"?

A stunned silence greets this question initially. Then Matt offers: "But we're only boys. Kid does have a number of young girls amongst his fans, but that doesn't mean all our audiences are very young or very female".

What about audience reaction so far?

"Our ultimate gig for audience reaction was in Swansea," continues Matt. "We'd finished the set, and we never do an encore unless they really want us back, that's not through any ego trip, it's just that a lot of audiences seem to think that they're under an obligation to ask for an encore. But these people at Swansea looked like they were going to pull the place apart so we went back on only to find that Kid's bass amp had bust so the audience had to wait 15 minutes while it was fixed. Yet ' they were still clapping, stamping and shouting for us. That's what you call a good reaction!"

Do The Boys have a devout following like the Depressions?

“Sure," counters Matt, "they're mainly female and like Depressions fans go to a lot of trouble to see us. Unfortunately, they very rarely have anywhere to stay and usually ask us if we've any room, but it's just not possible to put them all up and it's not fair to look after a couple of them no matter how much we'd like to. What can you do"?

"No idea," I reply: "Never had such attention. How about taking me on in the Yobs"?

"Oh yeah the Yobs. " Matt again "You know, one of the Yobs' songs was our best selling Single? We really want to do another Yobs' thing maybe The Yobs do Jim Reeves or even Dean Martin, that would, be really great"!

Cas stops mumbling about rather being at home watching TV and joins the conversation.

"Dean Martin, now there's somebody with style. You gotta be at least 35 and been through hell to be anything".

"What?" (that's me).

"Sure" says Cas getting into the stride of things. "Thirty-five, I can't wait to be 35, then I'll really be a musician - an artist with a right to do and say as I want, I'll have some authority, I'll have suffered and that's what it's an about. You've got to be 35, tired, unshaven, have a drink problem and your wife's got to have left you. I'm nothing, I'm just a kid, I've got to suffer".

Oh Christ, bring on the cross and nails. Okay Cas we'll come back to you in a few years time. His feelings are understandable, but not the manic determination behind them. And he looks so young for his age, maybe that's half the problem. Keep up with the scowls Cas, you'll make it.

Cas leaves, crawling over a trail of broken glass to get to the door. What that Boy will do to get home to watch Coronation Street!

Kid and Matt stay a little longer and we talk about life, books, films, etc that I'm sure you lot don't want to read about. Then we parted with Kid passing the final remark.

"You can never accuse The Boys of being hyped".

He's right, but they really, do need a good push in the right direction.

Wednesday, 22 April 2026

999 - Molly's Chambers in Birkenhead this Friday!

 

A quick plug for 999 who will be playing at Molly's Chambers in Birkenhead this Friday!

Ruts DC Opera House Winter Gardens Blackpool 8th August 2025

 

Great news to see Segs on social media yesterday informing us that his intrepid trio are currently ensconced in a recording studio to put together the 'Bound In Blood' E.P. (I always liked an E.P. myself!). Looking forward to discovering the other two? three? tracks on the record!

In keen anticipation here are the band from Rebellion last year. I think this is one of Peter's, so thanks to him as ever!

FLAC: https://we.tl/t-A1nL92jKhZAqGcMt

Artwork: https://we.tl/t-T4nZRezzrDMq5UEO


On tour in May....




Weyfest Tilford Farnham Surrey 30th August 2013

 


I thought this was one I had posted before, but maybe not (unless I neglected to tag an earlier posting). This was a Giants era festival that the band played down in deepest, darkest Surrey. I didn't go, but looking at the line up for 2013 it would seem that it was a small festival with a big draw. I did look it up but the website only reflects the 2024 festival, whilst the two most recent posts on their Facebook page are apologies for the non-appearance of the festival in the 2025 or 2026 calendar. So, like so many other small (affordable) festivals this one too would appear to have gone to the wall.

Sound on this one is not too bad considering that it occurred outdoors during British Summertime!

Thanks to Meanie for the artwork.