Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Sunday, 17 May 2026

Shopping With The Stranglers (Sounds 19th February 1977)

Another early piece on the band by Chas de Whalley. This one with a difference, as rather than talking about the band on stage, this is a discussion all about gear... of the musical variety! So this is a bit of a nerdy post to be honest as Chas goes into forensic detail with regard to the bands requirements and preferences in terms of their musical equipment of choice. So go ahead an accompany Chas and the lads as their survey the wares of the music shops of London's Denmark Street and Shaftsbury Avenue whilst on a United Artists funded shopping spree thanks to the just done deal and the release of '(Get A) Grip (On Yourself)'.

Sounds 19th February 1977



Top Secret No 28 (March 1991)

 

In the process of rifling through various hard drives in search of a Brighton Dreamtime gig review I came across a handful more of the West Sussex produced 'Top Secret' fanzine (more specifically issues, 28, 29, 30, 31 and 32). I have it on good authority that after Issue 18, changes occurred within the editorial executive team (by the way, issues 1 to 18 are already uploaded to Aural Sculptors and can be located from the index list located in the site's right hand sidebar). Assuming that issue 32 was the last that was produced, I am still missing issues 19 to 27... anyone have them stowed away but crying out to see the light of day? 

Thanks again to those who took the time some years back now (Nick P and others) to scan and share the copies that I have. Top Secret filled a 'Strangled' shaped hole for many of us at a time when production timelines of the band's official oracle became somewhat erratic. 

Issue 28 is here.

Brighton Centre 4th November 1986

 


The local one for me at the time. The Brighton Conference Centre, a cavernous box of a venue with awful sound. The Centre is not a patch on the Dome, but at the time, bigger bands favoured the larger capacity of the Brighton Centre. Being the largest venue serving Sussex all and sundry played there, Queen, Wings, The Who, Bob Marley & The Wailers, The Clash etc etc... The Jam practically moved in in 1982!

Nevertheless in my view it is best left for Party Conferences... although they did put on a great record fair back in the '80s!

Looking back on this gig now, I really regret that I did not pay enough attention to Xmal Deutschland. I saw them briefly and then went to the bar. These days they are on heavy rotation on my PC and turntable.


Somewhere during the gig if I remember correctly, Burnel makes reference to shoes, a comment remembering that someone's shoe was thrown onto the stage the last time they played Brighton in March 1985.

In the download please ignore the track numbering, it is an artifact of editing done many years ago... the gig is indeed complete.

Here is a contemporary review from the Evening Argus (Brighton's evening newspaper) as it appeared in the 'Top Secret' fanzine. It's funny to think that the writer, Mike Ward, states that the band were getting old... what would he say now! That said, music paper hacks were declaring the band to be old back in '77 so nothing new there really.




100 Club (50 Years of Punk September 2026) - TV Smith And The Bored Teenagers and John McKay's Reactor

Inevitably this year will see many events marking punk rock's half century. Not an inconsequential place in this spittle flecked history is the 100 Club in London's Oxford Street (still one of the greatest rock 'n' roll venues anywhere!). Hosts to the famous/infamous Punk Rock Festival over what would have been two quiet weekday nights on 20th and 21st September 1976, the event brought together the main protagonists in what was to become the greatest youth culture to emerge in the UK (my opinion of course). Later, egos and controversies (real or manufactured) would drive wedges between many of the bands that appeared at the festival.

I was not there in 1976 as I was just 7 at the time! The best that I could do was to make an appearance at the 2nd 100 Club Punk Festival and Buzzcocks on the second night.


Over the years I have seen Sex Pistols, The Damned, Buzzcocks, Chris Spedding, The Vibrators and Siouxsie & The Banshees. I never got to see The Clash (Joe Strummer, Big Audio Dynamite and if memory serves Havana 3am was the closest I got). And I missed the opportunity to see Subway Sect who played on the 1st night of the 2nd festival (along with ATV).

To mark the the 50th anniversary of the original festival, the 100 Club are hosting a number of punk luminaries on 18th and 19th September. I opted for TV Smith and the Bored Teenagers and John McKay's Reactor over X Generation X and Stinky Toys. Whilst seeing Stinky Toys would be interesting given the fact that they played the original event, not having played in the UK since 1977 may be against them (maybe they have been more active in France). Actually I don't think that I have heard anything by them.



This seems to present a good excuse to post some TV Smith and John McKay material.


It was back in 2007 that TV Smith at long last reconciled with his Adverts past and backed by The Bored Teenagers started playing that band's material again for the first time since they dissolved in 1979. Since that time he has continued to thrill audiences with high energy Adverts sets such as this one from Rebellion in 2022 when he and the band played a set of exclusively Adverts songs.

The Adverts didn't play at the first 100 Club Festival, their live debut occurred some months later on 15th January 1977 when they supported Generation X at The Roxy, but Tim and Gaye were in attendance at the 100 Club for the fun.




The Banshees line up that played the 100 Club Festival was intentionally a one-off, Sioux doing vocal duties, Severin on bass, Marco Pirroni on guitar with Sid Vicious doing something with the drums. Later the line up settled with Sioux and Severin joined by Kenny Morris on drums and John McKay on guitar. Before John McGeogh, McKay's guitar work is widely recognised as defining the sound of the early Banshees. This line up went on to record the debut album 'The Scream' and the follow up 'Join Hands'. However, the relationships within the band were fractious and McKay and Morris famously departed from the band on the day of release of 'Join Hands', just hours before the band were due on stage at Aberdeen's Capitol Theatre.

In the last year or so John McKay has re-emerged with his Reactor band performing a mix of early Banshees songs with original material. Thanks to Malcolm for this one!










Saturday, 16 May 2026

1981 Demos/Rehearsals


An odd little assortment of tracks here, perhaps again from Jet's place. Another version of 'Tomorrow Was' with JJ covering vocal duties, but not the best sounding. There is a much better (and dare I say it funnier version by virtue of JJ's Bobby 'Boris' Pickett vocals!) on here somewhere if you care to look.

I have no further information on the story behind this particular recording. A brief message exchange with Chatts has come up with the following scenario. Listening back to this collection, 'Tomorrow Was' is not live, it is the SIS version. Either whoever put these four songs together way back when just added it as a 'rarity' or something else was going on. Could it be that after release of 'Tomorrow Was (The Hereafter)' by SIS (SIS 001) in 1980 the song may have been considered for inclusion in the live set and inclusion here of the 1976 version was the initial step to working the song up to a gig ready state? If this was the case, it came to nothing. But perhaps the seed was sown in a way that resulted in the cocktail version of 'Nubiles' (the B-side of SIS 001) featured a couple of years later in the Feline tour set.

All pure speculation of course.






 

Sunday, 10 May 2026

Conflict Mermaid Birmingham 22nd November 1986

This week I have mostly been pissed off and angry. At times like these I am afraid that 'Always The Sun' doesn't cut it.... even '5 Minutes' doesn't come close!

Here are Conflict from Birmingham back in 1986.

FLAC: https://we.tl/t-AOanvtqCAJeEwPKp

Artwork: https://we.tl/t-LkzixN2m7ers2zPS



Sunday, 3 May 2026

Peter And The Test Tube Babies Olympic Auditorium Los Angeles 25th November 1983

 

Here is a full on 'Mating Sounds' era gig from the Olympic Auditorium in Los Angeles. This was one of many punk gigs in the area organised by long standing promotors Golden Voice, that brought many of the UK 82 bands to an American punk audience back in the early 1980s.

FLAC: https://we.tl/t-xGf5PmbethezCnyh

Artwork: https://we.tl/t-BbEZB4dtcJNQGEiS



I also note that there are a number of excellent photos of the band on line that this gig taken by Alison Braun.

Del

Ogs

Peter

Trapper

(Photos: Alison Braun).