Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Thursday, 23 April 2026

The Boys Interview (Record Mirror 29th April 1978)

So then, The Boys. I'll be honest here in that they are a band that I have never paid much attention to. I knew 'First Time' and 'New Guitar In Town', a collaboration single from The Boy's Honest John Plain and Pete Stride of The Lurkers. Not much is it. In fact whilst transcribing this Record Mirror interview I have heard more of the Boys on Spotify than I have heard in the last 45 years of listening to punk!

Now I can certainly see some similarities with The Lurkers, both bands drawing contemporary comparisons with Da Brudders from Queens. The Boys supported The Ramones at one point over here.

The early involvement of founding members Casino Steel and Matt Dangerfield put them on the spot at the birth of the British punk scene and yet they rarely feature in the established creation accounts! Likewise, they never enjoyed the kind of success that came the way of their '76 contemporaries.

I was going to post a great sounding gig that the band played in Vienne in France in the Summer of 2016. But I then realised that I posted it 9 years ago. I have however supplemented that post with some artwork and both the artwork and the gig can be found here.



ARRIVING at the pre-arranged meeting place I find The Boys have exited for liquid refreshment to a pub a few streets away. They're all there except Jake (the drummer) and they're trying to pass off another reporter as their new drummer; no chance Boys.

That ploy having collapsed they try the old kidnapping stunt but soon realise that RECORD MIRROR wouldn't pay much ransom. And anyway wouldn't they rather abduct Blonde - on - Blonde? Immediate agreement, and they reminisce over the RM cover when the aforementioned beauties adorned it.

While on the subject of RM, Kid talks about his unrequited love for his cat. He once wrote to the problem page about his undying passion but no reply was forthcoming. He moves onto another subject - so you'll never get to find out how the affair ended, maybe they just drifted apart.

The Boys talk about their last gig at the Music Machine, where they kindly laid on a bar for the boys and girls of the music business, they played a really good set, including an appearance by The Yobs. The Boys are rather indignant that nobody reviewed the gig, at this point Cas (the organist) joined the conversation.

Cas is fed up, Cas is bored, Cas is annoyed, Cas is down, (this sort of talk could cause problems), the rest of the band dive on him, strapping him to the table and gag him, metaphorically speaking of course. But there is no trouble, Cas is just depressed because he's been up at NEMS (their record company) putting mailing shots into envelopes, sticking them down and attaching stamps, all without the help of even a sponge to wet the stamps, no wonder he's feeling like he does…

The rest of the band divulge that he's having a piano made with a built in cocktail cabinet so he has something to do with his other hand while he's playing.

They're off to Europe soon and I ask Kid if there are any particular countries he's looking forward to.

"Holland especially, but also Scandinavia although we've never played there, France we're not so crazy about… all they want is rock 'n' roll. They're so conservative".

Cas pipes in: "Their TV's awful as well". Cas likes TV…

The Boys have a new single that should be out by the end of may titled ‘School Girls' and they're really hoping that this will be the, one that gets them the recognition they're trying so hard to get. And if it doesn't?

"Well the next one will, or the one after or the one after that, were not going to give in," says Kid.


The Boys know that records not as good as theirs have made it but as Elton John said not so long ago: "You don't have to be good to make it, you just need good promotion".

The Boys don't have that promotional bulldozer behind them so they're going to have to make a record that will stand out alone, and that ain't easy.

Conversation about their record company gets them near to throwing themselves off the table so an attempt is made to steer the conversation to more cheerful subjects.

"What about the girls, Boys"?

A stunned silence greets this question initially. Then Matt offers: "But we're only boys. Kid does have a number of young girls amongst his fans, but that doesn't mean all our audiences are very young or very female".

What about audience reaction so far?

"Our ultimate gig for audience reaction was in Swansea," continues Matt. "We'd finished the set, and we never do an encore unless they really want us back, that's not through any ego trip, it's just that a lot of audiences seem to think that they're under an obligation to ask for an encore. But these people at Swansea looked like they were going to pull the place apart so we went back on only to find that Kid's bass amp had bust so the audience had to wait 15 minutes while it was fixed. Yet ' they were still clapping, stamping and shouting for us. That's what you call a good reaction!"

Do The Boys have a devout following like the Depressions?

“Sure," counters Matt, "they're mainly female and like Depressions fans go to a lot of trouble to see us. Unfortunately, they very rarely have anywhere to stay and usually ask us if we've any room, but it's just not possible to put them all up and it's not fair to look after a couple of them no matter how much we'd like to. What can you do"?

"No idea," I reply: "Never had such attention. How about taking me on in the Yobs"?

"Oh yeah the Yobs. " Matt again "You know, one of the Yobs' songs was our best selling Single? We really want to do another Yobs' thing maybe The Yobs do Jim Reeves or even Dean Martin, that would, be really great"!

Cas stops mumbling about rather being at home watching TV and joins the conversation.

"Dean Martin, now there's somebody with style. You gotta be at least 35 and been through hell to be anything".

"What?" (that's me).

"Sure" says Cas getting into the stride of things. "Thirty-five, I can't wait to be 35, then I'll really be a musician - an artist with a right to do and say as I want, I'll have some authority, I'll have suffered and that's what it's an about. You've got to be 35, tired, unshaven, have a drink problem and your wife's got to have left you. I'm nothing, I'm just a kid, I've got to suffer".

Oh Christ, bring on the cross and nails. Okay Cas we'll come back to you in a few years time. His feelings are understandable, but not the manic determination behind them. And he looks so young for his age, maybe that's half the problem. Keep up with the scowls Cas, you'll make it.

Cas leaves, crawling over a trail of broken glass to get to the door. What that Boy will do to get home to watch Coronation Street!

Kid and Matt stay a little longer and we talk about life, books, films, etc that I'm sure you lot don't want to read about. Then we parted with Kid passing the final remark.

"You can never accuse The Boys of being hyped".

He's right, but they really, do need a good push in the right direction.

Wednesday, 22 April 2026

999 - Molly's Chambers in Birkenhead this Friday!

 

A quick plug for 999 who will be playing at Molly's Chambers in Birkenhead this Friday!

Ruts DC Opera House Winter Gardens Blackpool 8th August 2025

 

Great news to see Segs on social media yesterday informing us that his intrepid trio are currently ensconced in a recording studio to put together the 'Bound In Blood' E.P. (I always liked an E.P. myself!). Looking forward to discovering the other two? three? tracks on the record!

In keen anticipation here are the band from Rebellion last year. I think this is one of Peter's, so thanks to him as ever!

FLAC: https://we.tl/t-A1nL92jKhZAqGcMt

Artwork: https://we.tl/t-T4nZRezzrDMq5UEO


On tour in May....




Weyfest Tilford Farnham Surrey 30th August 2013

 


I thought this was one I had posted before, but maybe not (unless I neglected to tag an earlier posting). This was a Giants era festival that the band played down in deepest, darkest Surrey. I didn't go, but looking at the line up for 2013 it would seem that it was a small festival with a big draw. I did look it up but the website only reflects the 2024 festival, whilst the two most recent posts on their Facebook page are apologies for the non-appearance of the festival in the 2025 or 2026 calendar. So, like so many other small (affordable) festivals this one too would appear to have gone to the wall.

Sound on this one is not too bad considering that it occurred outdoors during British Summertime!

Thanks to Meanie for the artwork.




Saturday, 18 April 2026

Panic Shack Zeche Carl Essen 16th April 2026

 

Friday morning and my phone pinged informing me that I had another addition to my email inbox. So much of what I get is junk of a promotional nature, daily notifications of gigs from a multitude of promotors and/or ticket agents. Approximately one in ten though is of interest and this one was. Sent by Peter,  Aural Sculptors' Rhineland correspondent, this was a gig, a very recent gig in fact.


I duly downloaded the file at the end of the working day and gave it a listen. Last Thursday Panic Shack played a gig in Essen as part of a short German tour and this was I was now listening to. Now, Panic Shack are an entirely new name to me. I decided to listen to the full show before looking then up to find out a bit more of what they are about.

My first impressions were very positive. Panic Shack make a good noise. It is good original material in a punk vein. Their songs address a number of feminist issues in an irreverent way, their lyrics are direct and delivered with attitude and humour in equal measure. The track 'Gok Wan'* challenges the physical 'ideal' that TV and and style/fashion magazines would have young women strive for.

 
'Gok Wan' Panic Shack
Later With Jools Holland
November 2025

'I squat for two hours a day
Not enough to keep the red ring of shame away
If my stomach is flat and my ass is perky
Maybe I can get everybody to like me
Fingers for dinner, starving yourself
Trinny and Susannah stacked on the shelf
Vertical stripes and skipping meals
Nothing tastes as good as skinny feels.'

Another track pockets bemoans the absence of pockets in clothing designed for women. This presumably being intended not to ruin the line of the garment.. but it does mean that the wearer end up carrying a bag.

When the music slows, the band move into a post-punk territory. One reviewer mentioned a hint of the Young, Marble Giants, which I can kind of pick up with a song like 'We Need To Talk About Dennis'.

At this point I did look them up and discovered they are a five piece that formed in Cardiff back in 2018. Their debut album, also called 'Panic Shack' was released last year following on from a handful of singles. It doesn't take long to go through their entire output and having done so I was left with the impression of a modern Slits. No bad thing at all and that band's influence was confirmed in a short interview that I read online. When asked if their could play any gig with anyone they answered that they would go back to 1977 to play with The Clash and The Slits.

In an environment of increasing toxic masculinity and incels, the world can do with more bands like Panic Shack.

* Gok Wan is a British TV presenter and fashion consultant who hosted a popular TV series in the UK called 'How To Look Good Naked'.

FLAC: https://we.tl/t-QK1jQbfZZD2pEsPG

Artwork: https://we.tl/t-zvHa6nnR5YxtroUP


Thanks again to Peter for the share and to David Devant for photo of the band at the Zeche Carl in Esssen used for the front cover.

The Stranglers (O2 Academy Oxford 2012) and Dionne Warwick (Rainbow Room New York 31st December 1996) - Got It Covered! #3

 


We are talking 'Walk On By' here. The song in the hands of The Stranglers is one of those rare examples of a cover version that if not an improvement on the original (and let's face it a Hal David/Burt Bacharach/Dionne Warwick collaboration rates pretty high on a Quality Control scale) brings something totally original to the new version. Of course it is the instrumental break in The Stranglers' version that takes the song to another level and most especially Dave Greenfield's contribution to the track. By the time of it's UK release in 1978, whilst a significant number of music journalists had good reason to treat the band with disdain, none among them had any doubts when it came to the band's musicality. On no other song released up to that point had the bands musical competence been showcased to such stunning effect. On top of that, that The Stranglers chose to cover a 1964 behemoth of the 'easy listening' genre would also raise a few eyebrows for sure (although the song had been a live inclusion in the set prior to the studio recording). How was in that it only peaked at 21 in the UK charts... too long for airplay?

Here's the band in Oxford playing the track in March 2012.

MP3: https://we.tl/t-CCYYd27V0ev1ASmf

Artwork: https://we.tl/t-pr43fsXweXrdHnFz


With music composed by Burt Bacharach and lyrics by Hal David, 'Walk On By' was offered to Dionne Warwick in late 1963. Upon release in 1964 it made number 6 in the US Billboard chart. Moreover, it was a Grammy Award nominated single and Warwick's 1964 original was inducted into the Grammy Hall of Fame in 1988. Unsurprisingly, the song has been a cover of choice for many established artists (as well as pub singers!), notably Isaac Hayes, Gloria Gaynor, Cyndi Lauper and Gabrielle... and The Stranglers.

I wonder how many downloads this recording will get! Not many I am sure, but pause for a second. Whilst music from the Bacharach/David stable may not be entirely aligned with your musical taste (I am with you on this!), take a look at the track listing. There is no doubt about it after scanning that set list that B/D as a song writing team were second to none.










Theatre Verdure Nice 20th April 1985

 

A couple of days premature with this anniversary gig down in the south of France. A little incomplete setwise, missing 'Golden Brown' and 'Strange Little Girl'.

FLAC: https://we.tl/t-MCcraQ1Rn1uV3wC6

Artwork: https://we.tl/t-Ogn320o74q2wBYBC