Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Sunday, 8 December 2024

Television Personalities John Peel Session 20th August 1980

 

All I really knew about the Television Personalities is that they has recorded 'Where's Bill Grundy Now?' and 'Part-Time Punks', great tracks and a rather satirical view of the punk scene. It was my daughter who started talking about the band. I think that she once took a bit of a lead from me musically, but she very quickly went off on a multitude of tangents leaving me a long way behind.TVP were a case in point.

I did go with her some years ago for a gig at the 100 Club for a celebreation of Dan Treacy's music. Prior to this gig, I did a bit of hoemwork and reaslised that I knew more than the aforementioned two tracks. Not many more, but a few!

Here is the Peel Session that they did back in 1980. I think it's great, very different.

FLAC: https://we.tl/t-XLiuFXtEXp

Artwork: https://we.tl/t-b3WdyL897a



Saturday, 7 December 2024

The Damned Royal Court Liverpool 19th October 1982

 


So with the The Damned on the road right now it is no surprise that my social media feed, such as it is, is rather Damned heavy in content. I wasn't however expecting to wake up this morning to be confronted with our daughter''s beaming face in the company of the individual members of the band!

I love the idea that the waring factions with the band had it within themselves to bury the hatchet (and not into each other!) so that we could enjoy that amazing on stage chemistry for perhaps the last time... who knows. In anticipation of the Roundhouse gigs here's one that they made earlier in Liverpool, a mere 42 years ago. The Strawberries tour. I wasn't there but for me at least, this was their live zenith. That is not to say that the band necessarily declined on the live front after '82, it's just that this was the period of greatest musical change for the band as they challenged the widely held preconceptions of what a punk band shouldsound like and how!

This recording is really rather good, setwise it is impeccable, and sound-wise, it is good for its age.

FLAC: https://we.tl/t-bA80wmX9ix

Artwork: https://we.tl/t-vxY9wAhVxs









Verulum Arms Watford 14/2/83 - 'Browned Seasoned and Thickened' LP - Rat Zone Remaster

 


It never was in the Top 10 of inspirational bootlegs, besides which better and full set versions of this 'secret' gig are out there (and on here in fact). Nevertheless, it is a part of the band's history and some years back The Rat Zone did a splendid job of making it available in this digital form with original artwork to boot.

FLAC: https://we.tl/t-CgIDPXLZMR

Artwork: https://we.tl/t-EJ2RlmPhjD








Sunday, 1 December 2024

JJ and Baz on Liz Kershaw's 'Legends In Their Own Lunchtime' Show (BBC 6 Music)

 


Here's one that I dredged up recently. As far as I can see I haven't posted this before. Broadcast on 12th December 2021, this one hour mix of music and chat looks both backwards at a long career and forwards, 'Dark Matters' having been released a few months before. So cast yourself back to that Covid period of suspended animation for 59 minutes.

FLAC: https://we.tl/t-kO6Min26Qy

Artwork: https://we.tl/t-d2fP4CrJMf



Saturday, 30 November 2024

A Request For Replacements

 


As mentioned a few days ago, I spent a recent stormy weekend sorting through old discs, a proportion of which had been rendered unplayable as a result of use in the past of some dodgy CD labels.

In the event, the damage wasn't as bad as I was anticipating and the list is pretty short. If anyone had versions of the following (preferrably in lossless format) and can help I would be very grateful.

The Stranglers
Rainbow Theatre London 8/7/80
Sophia Gardens Cardiff 16/11/81
De Vereeniging Nijmegen 21/2/83
Roskilde Festival 4/7/87 (Radio Broadcast)

JJ Burnel
Purcell Rooms RFH London 13/12/2000

Hugh Cornwell
Cafe De Paris 27/1/05 (Alternative radio broadcast (16 tracks)

Cheers,

Adrian.

Ulster Hall Belfast 30th November 1981

 


Back to familiar territory now, here's The Stranglers on this night 43 years ago at the Ulster Hall in Belfast. Not the best quality I am afraid, but posted nontheless. Quality aside, there's nothing to complain about with that set.

FLAC: https://we.tl/t-fLpU7oqqLS

Artwork: https://we.tl/t-KnJVGywPRf



Hugh Cornwell Electric Ballroom Camden London 28th November 2024 - A Review

 


It did make me smile to read a comment that with the recent posts on Hugh, this site is starting to resemble the Burning Up Times Forum. That is not the direction that I am heading in. That said, as a card carrying Cornwell fan, somewhat entrenched in the Mk I era of the band, I make no apologies for crowing occasionally about what Hugh is doing.

I have said on here in the past that I used to enjoy those occasions on which The Stranglers fucked up, as bands do from time to time. These days, so polished is a Stranglers' performance that such errors are few and far between. That happens when you have a tried and tested crew behind you. That is not the case with Hugh, that is not to say that he is prone to regular fuck ups, but the performances are more raw and the bum notes more audible. I like that!

Hugh's London show was opened once again by a hit heavy set from EXTC... and that band did undeniably have some great tunes. 

With his band on stage, Hugh appeared to spend the first five minutes tuning his guitar as the instrumental 'Duce Coochie Man' announced their presence. Two numbers from the 'Moments of Madness' album opened the set, 'Coming Out of The Wildeness', a great platform for that signature Cornwell growl that was lost to The Stranglers all those years ago, and 'Too Much Trash', the latter being a disposable (no pun intended), protest against the proliferation of litter, as subject that has been on Hugh's mind since his time in The Stranglers. With its adoption of American terminology and heavy reliance on a rhyming dictionary, this song would not sound out of place on Sesame Street! Not a favourite of mine it is fair to say!

'Sleazy' was his first foray into Stranglers's territory and it sounded pretty good to me. A surprise in the set was 'Dead Loss Angeles' a song described by Hugh as underated. I would agree, but it is a shame that the band did not resort to the two bass arrangement for the song. Mid set was graced with 'Moments of Madness' and for me the strongest track on the new album 'When I Was A Young Man'.

'Monster', my favourite post Stranglers album, was only lightly represented in the set, but they played a good version of 'Mr Leather', a clever lesson in writing as is is so evocative of Lou Reed's style and the sound of The Velvet Underground. 'Nuclear Device' and 'Down in the Sewer' were very enjoyable, but the best, and the reason why I dragged myself into London on a cold, Thursday evening, was yet to come... most of side two of 'Nosferatu'. Gunta describes this material as 'Killing Jokey' and I guess she has a point. The album is intentionally, discordant, claustrophobic in a way that makes for uneasy listening in parts.... it's exact appeal in my books. The set closed with 'Wrong Way Round', a song I never believed I would get to hear live. And, the bass player filled the shoes of the fairground barker, the late, great Duncan Poundcake, with aplomb.

Sorry for the crap photographs. Must do better! 


Friday, 29 November 2024

Hugh Cornwell The Hay-On-Wye Arts Festival 1st August 2002

 


If you will indulge me a couple more Cornwell related posts, here's a cracking radio broadcast from the annual Hay-On-Wye Festival. Hugh featured on 1st August 2002 on the BBC Radio Wales programme 'The Saturday Social' in which he plays a mix of solo and Stranglers' material with commentares in between.

FLAC: https://we.tl/t-0GRewBpfYD

Artwork: https://we.tl/t-EmcNelsnyM



Tuesday, 26 November 2024

Hugh Cornwell The Empire Belfast 10th November 2024

 


A huge thanks to the Historical Field Recording Unit for this recent recording from Hugh! We didn't have any tickets for these dates and it was only when Mo, after seeing him in Leeds last week, suggested that I may particularly enjoy the Nosferatu element of the set (well Mo, it is the best solo Strangler album by a country mile!!).

Take a look at the set, great to see a bit of variety in The Stranglers' selections, 'Dead Loss Angeles', 'Tank' and 'Sewer' back. And let's not forget that encore to die for! The upshot being that Gunta and I are going to the Electric Ballroom on Thursday.

FLAC: https://we.tl/t-y7gwcIJ0np

Artwork: https://we.tl/t-Tep8AMnu91

NOTE: It has been pointed out that this is not the original file as recorded and checking on the Dime info file this would appear to be the case 'The only thing I've done to this fine recording is Amplify the Right Channel +3db to balance the audio...'. As a consequence of 40 years in close proximity to Burnel's bass stack my hearing in my right ear is slightly impared... so any imbalance is rather lost on me.

Theatre Verdure Nice 12th October 1983

 


I owe this weekend's Storm Bert a thank you. The shite weather that Bert offered us this weekend meant that I had no excuse not to tackle a task that I have been putting of for years now. When I first got the wherewithall to transfer old bootleg cassettes to CD-Rs I was using CD labels. However, whether it was because they were cheap or whatever, some interaction over time occured (leaching of the inks or adhesive components into the business bit of disc) that rendered many of them unplayable. It took two full days to go through everything, some were rescued by careful removal of the labels whilst for others I had digical versions (often superior remasters (thanks DomP!) on various hard drives.

The upshot is that only 5 or 6 discs were lost and need replacement. I will post the short list soon, if anyone can help. An upside to this arduous task was to unearth some unposted stuff that I had listed but mislaid.

This is one such, The Stranglers in Nice, for the first time since the 'riot'. Hugh makes some cryptic reference to their last visit.

FLAC: https://we.tl/t-5QjPb2QYSs

Artwork: https://we.tl/t-GEymraqvCB



Monday, 25 November 2024

Sex Pistols With Frank Carter Rock City Nottingham 20th September 2024

 

I have said quite a bit about the Sex Pistols over the last few days, so I have little more to say other than you should give this a listen. Cook. Jones and Matlock are guaranteed to make a magnificent racket on the day. Thanks to the original Dime poster (Hotpoint).

FLAC: https://we.tl/t-JFFRA9lfTG

Artwork: https://we.tl/t-IfnoqjSOld



L'Olympia Paris 9th October 2024


Not much to be said about this lot really. Paris was their second European stop on the recent 50th anniversary tour and one of only two dates that received the full two-set, suited, booted and chandelier illuminated treatment (the other being the first night in Lille). Seeing The Stranglers in Paris has always been a highlight of several tours as it is such a brilliant city. Forget all of the noise about rude Parisians.... have you never been to London! So here they are amidst the opulensce of L'Olympia. Thanks to the original Dime poster (finkployd49).

FLAC: https://we.tl/t-8ID7Abf0fa

Artwork: https://we.tl/t-Y35KTg0D93



Buzzcocks Irving Plaza New York11th September 2024

 

Buzzcocks were for me about a close as it was possible to get to perfect pop music, they really were 'Manchester's Fab Four'. In 2024, the politics of gender are a hot topic and here Pete Shelley was ahead of the curve more than 45 years ago. None of his bitter sweet love songs were gender non-specific, a fact that I don't think many people realised until years later Shelley explained aspects of his songwriting. Like many I felt his loss very badly a few years ago at the age of just 63. But, I count myself lucky that I was at his last gig in Belfast. As for the Post-Pete Buzzcocks, to be honest I cannot get to grips with it. Funny given that I follow a band with only one original member remaining but that's just the way that it is in my head (not so harmonious). 

Thanks to the original Dime poster (paprick).

FLAC: https://we.tl/t-xF5q5h0P7A

Artwork: https://we.tl/t-UxEKIEMvpV



The Undertones Zakk Club Dusseldorf 14th May 2022

 

So, now imagine the scene on the day, the rain has changed direction, driving horizontally into your face from the direction of the stage. However, you are not so fussed as it being June the rain is not so cold and besides the effects of the beers are starting to kick in. And to dispell any residual summer time blues, The Undertones are taking to the stage. Who can be pissed off within 30 feet of Derry's finest? Ok, so it may sound odd in 2025 to hear men in their sixties (Paul excepted) singing 'More Songs About Chocolate And Girls' but that doesn't matter for now.

The Undertones have suffered the same fate as The Stranglers at the hands of fans and critics in terms of who's better/who's best... Paul vs Feargal or Baz vs Hugh. In both cases, each replacement vocalist has served more time in their respective bands than the original singers. Besides which Paul is a wholly worthy replacement for Mr Sharkey, the latter currently being upto the top of his waders in shite, trying to clean up our rivers and waterways. He, Paul, has the Derry accent, the vibrato vocal and a brilliant stage presence. By the way, Baz is OK too!!

I have said before that I have been guilty of ovelooking anything that the band did after the second album. This may in part due to the fact that back in 1981 when 'It's Going To Happen' was released I mentioned to my class mates that I particularly disliked the song, prompting them to sing it whenever I was within earshot. Far more recently, when preparing a recording to upload on this site I came across a really good quality gig from the 1983 'Sin of Pride' tour which changed my view of much of the later material, when with songs 'Julie Ocean' and 'Beautiful Friend', The Undertones were trying so hard to shake their 'Punks in parkas' image.

Here's a marathon set from the band playing in Germany (where they seem to go down particularly well). Thanks to the original Dime uploader (TheServant).

FLAC: https://we.tl/t-0jhHnyzKVp

Artwork: https://we.tl/t-wgJy6OGdvL



Sunday, 24 November 2024

The Skids The Bungalow Paisley 21st June 2024

 

Next up, The Skids! A band that I never really explored beyond the handful of singles that I had. On getting back together they had something of a stuttering restart but in the last few years have been touring heavily and just as importantly producing new music. Their most recent album, Destination Dusseldorf, being released in 2023. 

Shy and retiring frontman, Richard Jobson, has always been something of a raconteur and he brings his ability to talk to the stage to the extent that these days a Skids show is part gig, part stand up routine, but he does it very, very well indeed. That's not to take anything away from the music. I think that perhaps the Skids music was a little underated. Maybe critics struggled to see beyond a sometimes outragiously coiffured, cricket whites wearing singer who loved to cut the rug at every opportunity! 

They will go down a storm!

Thanks to malcolm769 for the upload to Dime.

FLAC: https://we.tl/t-HFr9xeB9my

Artwork: https://we.tl/t-9K6aTNb7LS



Bellahouston Park 21st June 2024 - A Taster

 

So, as you are all aware, The Stranglers are on the bill in Glasgow in the summer. Of course, back in the day each of these bands were at the height of their creative powers, with each of those bands contributing something uniquely different to the wider punk scene. There was a time in '78 and '79 when hardly a week went by without one of these supporting acts appearing in your living room via the medium of Top Of The Pops, to your delights and your Dad's disdain!

Of course, a great many of us have continued to follow the trials and tribulations of these bands over the past forty years, but some may be less familiar as to what those bands sound like after the passage of so many years and numerous personnel changes.

So following this post there will be a post for each band, each featuring a gig plated within the last 24 months, give or take a few months. Have they aged gracefully or disgracefully, that is for you to decide.

The Rezillos Pavilion Stage Winter Gardens Blackpool 6th August 2022

 


'Can't Stand The Rezillos' was for many years an album that was in and out of my Top 10 favourite albums of all time. As you know, these lists can be very fluid but they were never far outside even when not Top 10! I loved the kitsch quality of everything that they did. I could relate to it as something that drew on all of those kids shows, made in the 1960's but still a scheduling staple in the 1970's. Adam West's 'Batman', everything that Gerry Anderson put his name to and all of those alien invasion 'B Movies'. This was the world occupied by The Rezillos.

I saw them when they first came back. Well actually I saw a reformed Revillos first in Shepherds Bush (who unsurprisingly played a number of Rezillos songs in the set). A few years later it was the turn of The Rezillos, with the original line up too, bar one member I think. They were brilliant, especially so since I thought the boat had sailed in terms of my chances to see one of my favourite bands.

Since that time they have been live regulars, but for me whilst still enjoyable, they have not managed to hit the same high for me that they did that first time around. But they are always great to see and on home soil, at least for Fay, they will be a great act to kick off the day.

Thanks to Peter for sharing the file with the site!

FLAC: https://we.tl/t-0Aewg97vqS

Artwork: https://we.tl/t-zXNyLGmEpX



Ever Get the Feeling You've Been Cheated? Nah Not Really

 

Well last week I bit the bullet and bought Gunta and I a ticket to see The Stranglers and The Pistols in Margate. The Glasgow billing is more attractive but the cost of travel and accommodation meant that Margate (being drivable) made more sense.

These two punk all dayers I guess have in part been inspired by similar short festivals that have cropped up in California in the last few years, here I am thinking ‘Punk Rock Bowling’ and the ‘Cruel World’ Festival. I am also guessing that other than the format, the similarities may be few and far between. Imagine a festival taking place under the heat of the Californian sun and compare that to the possibility of standing in the shadow of funfair rides as the rain of an English summer falls and dilutes your £8 pint of Harp lager! Or an I just being a curmudgeonly old Englishman here!?

I went to Margate once in 2011 to see The Specials. It was terribly run down. The hotel that we stayed in made Fawlty Towers appear modern. I remember the walls of the communal areas being adorned with photographs of the hosts of ‘Cash In The Attic’, ‘Flog It’ and a host of other daytime TV programmes that must have been filmed in the town one week. However, I am led to believe that Margate has had something of a revival in its fortunes. As the popularity of a number of resort towns, most notably Brighton, have increased, property prices have soared, pricing many out of the market. Those still wishing a regular dose of sea air have sought out the likes of Margate and Folkestone as alternatives and these places are starting to prosper more.

I am looking forward to seeing The Pistols. I kind of regret not chasing down a ticket to see them in the summer (but then I was stuck in a hospital bed in July and August and a bit wobbly in the legs in September) since the comments that I heard from mates who had seen them around the UK were all very positive.

Inevitably, such a billing has generated a lot of comment and opinion. I saw one comment on a Stranglers Facebook page that implied that it was not right that The Stranglers were supporting ‘a second hand Sex Pistols’. Interesting. I don’t know if that particular poster visits this site, if so I would just say that I am not angling for an argument here, but I cannot agree. I nailed my colours firmly to the Stranglers’ mast many years ago but I also appreciate the Pistols, but gigwise, the numbers speak for themselves… The Stranglers (+ Hugh, Helmets etc): 300+, Sex Pistols: 1. Nevertheless, is the current Pistols set up ‘secondhand’ by virtue of the fact that Lydon is missing?…. At the end of the day there are three original Pistols in the line up compared with one original Strangler, but that is kind of irrelevant. The important fact is that the name Sex Pistols reverberates ten times more than that of The Stranglers. To my mind it is incontrovertible that without the Pistols, what we know as British punk would have been very different, if indeed it would have existed (as a scene/style whatever) at all.

I can think of no other band at all that instantly changed audience members lives, propelled them to start bands etc. It wasn’t that they were any kind of masters of their instruments but nobody else had such attitude. What musical path would The Stranglers have followed were it not for the cleansing fire that the Sex Pistols ignited in London. Perhaps the Pub Rock scene would have survived for a few more years and The Stranglers, well maybe they would have turned out like The Motors or something like that, competent and melodic… but nothing like what actually transpired. Without a London scene coalescing around the Sex Pistols, music in the UK would not have taken the course that it did, the record companies would not have been clamoring to sign any band that claimed any kind of allegiance with punk rock, bands that under another circumstances would not have has a cat’s chance in hell of getting a recording contract.

Now look, I wasn’t there in the summer of ’76… I was 7 and I was more interested in playing three and in than gobbing or pogoing, but I think that I am sufficiently versed in the history of punk to say with absolute conviction that, like them or loathe them, be that one of them or even all four of them, as music fans we all owe a huge debt to that band. 

As for those who say that they will leave after The Stranglers have played (Pidge being but one!) I would say give an hour of your time to three musicians who changed the face of music for 15 years or more.

This has been a Party Political Broadcast on behalf of the Sex Pistols.




Monday, 18 November 2024

Summer Punk All Dayers

 

Well it's no surprise that the three talking Pistols would get some further milage out the recent set up with Frank Carter, but the the appearance of The Stranglers on the bill did surprise me. I am assuming that the Margate gig will get an expanded bill along the lines of the gig in Glasgow. Who's your money on then? I'll put a fiver on it not being PiL! I'll get shot down but 999 would go down a treat! 

Talking of Johnny, I was also surprised to see the bill for SLF's next Belfast shindig, featuring PiL on the same bill as Sham 69. I thought that Johnny and Jimmy harboured a particular animosity towards each other. I do remember fisticuffs between the two at an airport or something... a story that made page 20 of The Sun! I assume this bad feeling stems back to the Sham Pistols thing that was momentarily the big story for the music press in '79.




Ist Ist Luxor Cologne 5th November 2024

 

Here's another one from my flavour of the month, or more accurately, the year, Ist Ist. This recording sees the band playing once again in Germany, the Luxor Club in Cologne, on the European leg of their 'Light A Bigger Fire' tour. I'm looking forward to seeing them again before too long. Many thanks to Peter for the share. Cheers!

FLAC: https://we.tl/t-Wjwlr6jRtj

Artwork: https://we.tl/t-C6Epk8qXqO