Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Showing posts with label The Subhumans. Show all posts
Showing posts with label The Subhumans. Show all posts

Sunday, 11 January 2026

Subhumans The Venue New Cross London January 1991

 


I mentioned in the last post that I eventually got round to seeing Subhumans when they very briefly returned for two gigs at the very beginning of 1991 (2nd and 3rd January). I saw them on the first night where according to Ian Glasper's very comprehensive history of the band 'Silence Is No Reaction: Forty Years of Subhumans', The Instigators supported. That night (and on every occasion that I have seen them since) they were brilliant. This recording came from the Anarcho-punk.net site.





Subhumans Con Club Lewes East Sussex 11th January 2026

 


I still find it strange that one of the best venues (at least judging from the gigs hosted in the last few years - I have yet to get back down there for a gig) in Sussex is located two doors down from the school that I went to between 1980 and 1987. Gigs didn't happen in Lewes back then... of any genre (maybe a bit of folk in a couple of the pubs) and certainly not anarch0 punk! For a few months I had bass lessons from a music tutor who worked out of one of the rooms above the Con Club hall. Back in 1985 I had the Subhumans logo on one or two of my exercise books. This would have been about the time of 'Worlds Apart. Missed them at The Richmond then and didn't get to see them until they reformed (very briefly) in 1991 and played at the Venue in New Cross.

One of the great bands to come out of that scene. Everything that Dick Lucas has turned his hand to since the early '80s has been great... Subhumans, Culture Shock and Citizen Fish.

Tuesday, 22 August 2023

Up Yer Tower! Rebellion 2023 - Day 2

 

The Del Strangefish Inexperience
Empress Ballroom

Day Two

Day two dawns and it is out of the blocks early for a 12.45 start, meaning time for one livener before entering the Gardens for a set by The Del Strangefish Inexperience. Del is of course Del Greening of Peter & The Test Tube Babies (in)fame. I don’t know much about the band but I am guessing that it is something of a vehicle for Del who now has entered the literary circle of punk musicians turned writers. I suppose if you are showing your face up there on the literary stage it makes good sense to have something to put up on the musical stage too. Keep the profile up whilst the Test Tubes step back for a while.

Whatever the rationale for the Del Strangefish Inexperience, it suits me fine as it offers Del a chance to play Test Tube songs that can now be legitimately be described as obscurities. Opening with ‘Intensive Care’ (‘Watch him play one note so well!’), the set also included ‘Excuses’, another early one from the  ‘Loud, Blaring, Punk Rock’ album, and ‘Boozanza’ (‘Anyone remember Trapper?’ Del asked). From memory, ‘Banned From The Pubs’, ‘Blown Out Again’, and ‘My Unlucky day’ were also in the set.

Some ours were then spent wandering and taking in the atmosphere of the weekend before there was a musical parting of the ways in that The Vapors were playing in the Opera House whilst Subhumans and Neville Staple were on in the Empress Ballroom - Melksham punk and Coventry ska of course won the Day for me.

Subhumans
Empress Ballroom

The Subhumans were brilliant as indeed they always are.

They were followed onto the stage by Neville Staple. The last few times that I have seen them I have been very impressed, but the loss of Terry and with it the final demise of The Specials still smarts. Nevertheless, Nev, Sugary and band made a very good account of themselves.

Neville Staple From The Specials
Empress Ballroom

Somewhere in between whilst giving my battered ears half an hours respite I saw a few bits from Attila The Stockbroker who was doing his thing in the Spanish Hall.

Attila The Stockbroker
Spanish Hall

What followed was my highlight of the festival, missed by most, but given the original band's history, that situation seems right and proper. In the Pavilion was TV Smith and Paranoid Visions Replaying Cheap. I'll skip over them here as an extensive post and gig will follow. Make do with a photo for now!

TV Smith puckers up at the prospect of reviving 'Cheap'!

Then last but not least for a weary punk... Steve Ignorant's Crass set.

I follow a Crass Records Facebook page and I am always amazed at the stick that Steve comes in for on the page... Crass sell out, merch slave etc etc. He has the blessing of Penny and the band to go out and play Crass material. Crass are popular around the world, but not so many every got to see them. I was 15 and down in Sussex when they split in 1984 so my first Crass experience was at the 'Gathering of the 5000' in April 1987.... a night of chaos with a handful of Crass songs thrown in.

I don't think what Steve does with the band now is Crass by numbers or Karaoke Crass as some have suggested at all. Certainly when it comes to songs like Bata Motel' and 'Poison in a Pretty Pill' Carol's vocals are faultless. There is great love and respect of the original in what they are doing with this material. Fair play to them.




Steve Ignorant Band
Club Casbah

And so to bed with Carol Hodge's dulcet tones ringing in my bleeding ears!

Thursday, 11 March 2021

The Subhumans Interview (Sounds 22nd May 1982)

 Reasons for Persistence

The Subhumans (l-r: Bruce, Dick, Trotsky and Grant) 1982.

Sounds 22nd May 1982

We played in Bristol, right and there were all these so-called hard-core punks roaming around, bloody ten foot mohicans and more studs than a bloody horsefarm, and they're all going, 'Are you the Subhumans? Are you the• Subhumans?' Yes we are. 'You CAN'T be!' "

Dick is the Subhumans' singer, and like the rest of the band he isn't quite your average Sun reader's idea of a Punk Rocker …

Guitarist Bruce and bassist Grant have only about five studs between them, while Trotsky the drummer has long hair, a denim jacket with a Led Zeppelin patch sewn on the back, and ... flares. The singer's gear is pretty punk rock in itself, but the hair, it kind of droops, and there's this strange long bit that hangs over his face like a wet sock, and well ...

Do you think the punks express such disbelief because you wear glasses, Dick?

"It's because I wear glasses, because Trotsky's got long hair, because Bruce has curly hair, because Grant's got that hair… They think if you don't look like a hard-core punk you can't be a hard-core punk
band."

Rising triumphantly out of the ashes of the Stupid Humans, Audio Torture and the Mental came The Subhumans. The current line up has been together since June 1981.

The Subhumans are becoming very popular. They've released two EPs on Flux Of Pink Indians' Spider Leg label - 'Demolition War' and, more recently, 'Reason For Existence', which at this very moment is steadily climbing the indie pop charts.

They are not an ordinary punk rock group. The music available here is special. Deadly, shimmering, growling guitar, teasing, stunning musical dodges and chases, their name is deceptive. Sometimes the
Subhumans stray into the more familiar territories of punk, pushing the four chord bashes too far, for too long, but this is unusual. On most occasions when they opt for thrash, they'll weave and twist around that basic framework, add ever so subtle, mesmerising little sounds, decorate and build upon their song, and come up with something new, something fresh, and something exciting .
Yet it's still punk - Subhumans punk . . .

Are you aware of your growing reputation and street credibility? ..... " No, tell us about it!"

Dick: " Well, I'm getting a lot of letters, because I put my address on the back of the first EP thinking, oh great, I'II .get some letters for once! Now I can't stop them, and I'm months behind in answering them. A lot of people must think we're a bunch of c***s, but I do eventually get 'round to answering them, I mean l 'must have had 300 this year."

What' sort of letters do you get? 

"Most of them are just three lines saying, please send me some info, thought the EP was great. You get the occasional people who write long letters, and out of those there's the ones who tell you they're doing fanzines, and those that make it worth it really, the ones who offer constructive criticism ."

What's the reaction been to ‘Human Error', the fiery reggae based number on 'Demolition War'?

Bruce: "We've only had one person who said they didn't like it. We were a bit dubious to put that on the first EP, or to put it anywhere, because it's slower. We thought it would be best to put it on the first EP because if we put it on the second it'd look as though we were copping out."

Reggae was very cool with punks at one time.
 
Dick: "Yeah. I don't like it myself, this so called-real reggae bores me to tears, the stuff John Peel plays all the time. "

Bruce: "I like reggae a lot."


How did the connection with Flux come about?

Dick: " Well ,'when they were starting up Spider Leg , they heard our three tracks on the 'New, Criminals' compilation tape, and they thought we were good enough to be put on a record.

" First of all we intended to record 'Demolition War' on a cassette recorder and make it into an EP, but they said they'd pay the money back if we went into a studio, so we did that instead."

You've got strong views about keeping prices low, haven't you?

Dick: "Yeah, we intended to do an EP with Small Wonder, but just at the last moment I said can you put it out for 85p? They said no way, it has to be £1 .05, which isn't so much their fault, because they've got a lot more overheads to see to than a small, totally independent company like Spider Leg."

The Subhumans are different. They sing of things most punk bands wouldn't even consider
singing about, like ... Peroxide girl with a false ID/Lost and lonely she can't see/ Peroxide hair and burnt out  eyes/ Blinded by so many lies … ' Peroxide'.

Are you slagging off peroxide?

Dick: "Not at all. No, it's just a made-up fantasy type story about this girl who dyes her hair and it goes wrong. Instead of going on her hair it goes on her face and she f** *s herself up. "

But the majority of punk bands wouldn't dream of writing something like that...

"Not nowadays, no. Because it's not considered hip at all. It's just a fun number, we've got to have some fun numbers."

Bruce : " I worked it out the other day. We've got 27 serious numbers and 20 fantasy numbers."

Is 'Cancer' a fantasy number?

Smile - it's impossible / I – I feel disposable / You laugh and it f"'**s me up/ Fag? Has he woken up? - 'Cancer'.

I thought it was an antismoking song, but as you all smoke it obviously isn't.

Dick: "No, it's ... imagine the situation where this bloke who's got cancer is sitting, down at work in his lunch break with his mates, and he's feeling depressed because he knows he's got cancer, and there's
these blokes trying to cheer him up by giving him fags. People think that fags actually cheer you up and, er, more so than, ..em .. . "

Bruce: " Sweets."

Dick; "It's like ' Drugs Of Youth', it's just a statement. It's not pro-drugs or anti- drugs .. . "

But how do you feel when you see punks sniffing glue?

Dick: "I don't like glue".

Bruce: "We don't agree with glue."

Do you deliberately try to bring something fresh to the confines of punk?

Dick: " No, you can't do it deliberately. You just come up with what you do, and it either works or it doesn't work …”

Bruce: “We try to keep the music tight, and interesting…. We’ve got a lot of bash-bash stuff, but we also put lots of little interesting bits in it.”

Grant: “Bash-bash with a difference….”

In a musical area that grows simultaneously larger and more unexciting all the time, the individuality,
sparkle and strength of the Subhumans is a rarely experienced treat. Does the sheer predictability of most of today's punk groups depress them?

Bruce: "Oh the whole scene depresses me actually, musically it depresses me. Because they all say they don’t want anything to do with politics …"

Dick: “Yeah, that is copping out if You ask me."

Grant: "What's wrong with it?"

Dick: "Well . . . it's just the way they stress it. I mean certain bands, I've read in fanzines how they say all these bands who write about politics are idiots, that sort of crap."

Somebody once described you affectionately as 'hippypunks'.

Grant: "I can't see anything wrong in that."

Bruce: "Hippies are passive people, aren't they? Nice people hippies, always got on with them."

Along with the refreshingly sensible anti-war / bomb lyrics printed on the sleeve of 'Demolition 'War', there is a long complicated and utterly incomprehensible mini-essay. What are they getting at? Dick explains it to me ...

"Ah yes, I remember writing this."

Surely it could have been made a lot clearer.

"Well of course it could have been made clearer, it's just that I love writing long complicated sentences like that!" (Uproar).

But seriously, do you think any of your fans understand it? I didn't.

Bruce: "I didn't either. He's got an 'A' level in English, the bastard. He knows all these long words we don't understand."

Dick, do you ever worry that like some bands get labelled 'Crass-band' you'll find yourselves labelled a  ‘Flux-band'? " Well yeah, quite a few people have lumped us in with Flux and Crass . I'm not particularly worried about that, because both bands are good. I mean it's better than being called an Oi band or something like that, which obviously we ain't ... I think we're a 'Subhumans-band' .

Unpredictable, unpretentious, thrilling and new. The singer is perfectly correct.

Barriers will be broken.



The Subhumans - A Warminster Warning

 

Forgive me an indulgence. The Subhumans are by far my favourite band that carried an association with anarcho-scene. Somewhat out on a limb down in Wiltshire here was a band that approached the music with an element of humour that was never particularly apparent with some of the other bands. 

Led by the irrepressible vocalist Dick Lucas, The Subhumans were given their first proper crack at recording with releases of Flux of Pink Indians' label 'Spiderleg' which resulted in two brilliant E.P.s, 'Demolition War' and 'Reasons for Existence' and the debut album 'The Day The Country Died', one of the finest albums of that punk genre.

The band never conformed to the spiky topped fashion that many of the other bands (and fans alike) adopted. Ultimately this worked to their advantage as image never tied them down to a particular style. If there is one thing to say about The Subhumans it is that they were very musically competent to the extent that their 1984 album 'From The Cradle to the Grave' feature the title track which at 16 minutes 53 seconds took up the whole of the second side of the album..... this was dangerous turf.... this was prog turf. 


Upon the demise of The Subhumans, Dick formed Culture Shock and thereafter Citizen Fish that kept him occupied for the next 20 years or so. Periodically, The Subhumans regrouped and at the time of writing all three bands co-exist with Dick being the lynch pin.

In Dick Lucas and the bands that he has fronted over the last 40 years I don't think that any other person has carried the original DIY ethic of Crass so consistently and so effectively.



Tuesday, 8 October 2013

Culture Shock On Tour In 2013!

 


Following on from a recent Subhumans post, I was very exited to hear the news that Dick Lucas's post Subhumans band, Culture Shock have reformed for gigs. Details can be found here.

Somehow I missed Culture Shock the first time around. It was only at the point when they announced that they were splitting and playing their final gig at the Fulham Greyhound on 2nd December 1989 that I became determined to see them, but alas it just wasn't meant to be!

Such was the interest in seeing the band at this final gig that the crowd control outside the venue broke down and a riot ensued. The police pulled the plug at hundreds of disappointed punks drifted away, not so quietly. I saw no band that evening, as I didn't even make it inside the venue, although RDF did make it to the stage for a few minutes before the doors were stormed and the gig cancelled.


Report of the Culture Shock Riot Gig
Sounds December 1989
 
Sadly, attempts to get to their actual last gig were also fruitless (St Mary's College it was in the end if I recall correctly). Hopefully, there will be no repeat problems when they play in London with The Mob on 19th October.
 

 
 


Saturday, 20 July 2013

20 From '83(6) The Subhumans The Union Rowing Club Nottingham 9th April 1983



The most musical and, yes, most humorous of the crop of UK bands that together fell under the banner (and there were a lot of them!) of anarcho-punk in the early '80s.

Unlike the majority of their scene contemporaries who spat out their proclamations against the state in strictly London tones, The Subhumans delivered their message with a distinctly west country burr as the band hailed from Melksham in Wiltshire.

Frontman Dick Lucas has consistently delivered quality material in each of the bands that he has formed, from The Subhumans themselves to Culture Shock and Citizen Fish that followed.

Sometime shortly after this recording, the band released 'From The Cradle To The Grave', which with its epic title track (all 16 minutes of it!) brought punk rock right into the realm of prog rock and who could have foreseen that!

FLAC: https://we.tl/t-8HbnJXuyjX

Artwork: https://we.tl/t-gOgZaqpEck

01. I Don't Wanna Die
02. New Age
03. Peroxide
04. Waste Of Breath
05. No- Reality
06. Cancer
07. No Thanks
08. Big City - Zyklon B Movie
09. Germ
10. Till The Pigs Come Round
11. Rain - Animal
12. Religious Wars
13. Human Error