Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Showing posts with label Terry Hall. Show all posts
Showing posts with label Terry Hall. Show all posts

Saturday, 30 March 2024

Terry Hall Tribute Night (29th March 2024 BBC 4)

 


Last night BBC 4 ran a brilliant thread of music programming in an evening that celebrated the immense talent of Terry Hall, from The Specials, The Fun Boy 3, The Colourfield and back again. The evening started with a new compilation of 'Terry Hall at The BBC' covering his 40 plus years in music. All of the footage was familiar to me except for one show (the name of it escapes me now) where The Band were introduced by Toyah Willcox. Most of this material I have seen in the past, but it was brilliant to see it all brought together and to see it in such excellent quality.

Aside from the BBC music compilation, the highlight for me was the showing of the 'Arena' documentary which saw fanzine writer turned music journalist, Adrian Thrills, travel to Coventry see see what all the fuss, that had turned the UK monochrome, was all about. The scenes filmed in the 'office' of 2 Tone HQ in Albany Road are priceless. I pitied the neighbours! How great it was to find all of the band partying,  larking around and getting on with each other! Gunta loved it too as it showed Coventry city centre as she remembered in back in 1980.

Well done BBC 4 as they would say on 'Points Of View'.

Thursday, 29 December 2022

Fun Boy Three Mayfair Suite Newcastle 23rd March 1983

 

There are not so many recordings of Fun Boy Three gigs in circulation, just a handful really and this is one of the better ones from the promotional tour for the second album 'Waiting' in Newcastle. Thanks to the original Dime uploader elegymart. Further details on the recording can be found in the info file in the download folder.

FLAC: https://we.tl/t-tXR9BsyAEe

Artwork: https://we.tl/t-WTqKsLazSP

01.  Introduction
02.  Faith, Hope And Charity 
03.  The Pressure Of Life (Takes The Weight Off The Body) 
04.  The Telephone Always Rings 
05.  The Farmyard Connection 
06.  Best Of Luck Mate 
07.  Going Home 
08.  The Lunatics (Have Taken Over The Asylum
09.  Things We Do 
10.  Alone 
11.  Well Fancy That! 
12.  Summertime 
13.  Our Lips Are Sealed 
14.  The Tunnel Of Love 
15.  We're Having All The Fun 
16.  Gangsters 
17.  It Ain't What You Do 
18.  Murder She Said 
19.  The More I See (The Less I Believe) 
20.  You're Wondering Now 

Wednesday, 28 December 2022

Fun Boy 3 - Having All The Fun?

 


Fun Boy 3 on The Tube (Channel 4) in June 1983

It do not suppose for a minute that when The Specials recorded 'Too Much Too Young' it crossed their minds that the stark message to the young mum of the song could be equally applied under different circumstances to The Specials themselves.

For all of Jerry's meticulous planning of the 2 Tone brand from label, to look to sound, I am sure that even he did not imagine that the band's flame would burn so brightly but for such a relatively short period of time. Such were the pressures on the bands associated with the 2 Tone label that none of them (Madness being an exception) enjoyed any prolonged success. As leaders of the 'movement', Jerry Dammers and The Specials felt those pressures more keenly than any of their label mates, including those that moved away from 2 Tone early on, but still flew the flag so to speak. 

The heavy touring schedule across the globe, violence at gigs and personality differences within the band (it was prickly on stage and in the studio) did little to bring longevity to the career of The Specials.

Legend has it that as The Specials appeared on one of their two Top Of The Pops appearances with the seminal 'Ghost Town' the band were in the process of splitting up in one of the BBC dressing rooms. In fact something of a coup was announced when members of the band not in the know were informed that three members, Terry, Neville and Lynval had already split off to form Fun Boy Three.

This 'Specials spin-off' trio it should be remembered were also rather successful, 'enjoying' no less that two top 20 albums (they only released two!) and seven top 20 singles in their short career. The music they produced was rather different from that of The Specials but in fairness that was only to be expected. Since Steve Strange had delivered 'New Romanticism' into the charts things became pretty superficial pretty quickly. At the height of the FB3 success in '82 and '83 they were competing on the record buying front with the likes of Wham and Culture Club! Nevertheless, I have argued it previously on this site that much of the material recorded by the band very much carried on the themes that lay at the heart of The Specials world view. 'The Lunatics Have Taken Over The Asylum' is a natural successor to 'Ghost Town' whilst 'The Tunnel Of Love' echoes 'Too Much Too Young in every respect! Sure, there were lighter moments that perhaps the General would not allowed to appear on a 2 Tone release.... but the subject matter of 'Well Fancy That' is about as bleak as it gets.

A common theme in the bands material is how far removed is the perception of the pop star lifestyle from the reality! Terry sings in 'We're Having All The Fun':

'I live in a flat, I like Manchester United
I live with my girlfriend and my cat, we're really happy
I like watching television wearing pants and moccasins
Eating crispy pancakes and having Monday haircuts that we've done'

How glamorous is that?! But that speaks volumes about Terry Hall as a person.

So whilst many of the glowing obituaries and tributes to Terry gloss over his career beyond The Specials in both their initial and later incarnations, we should not overlook what he did in the interim!



Friday, 23 December 2022

Terry Hall Obituary The Guardian 20th December 2022

Singer with the Specials whose chart-topping Ghost Town evoked the sense of social collapse gripping Britain at the turn of the 80s.

Famously deadpan, dour and slightly menacing, Terry Hall, who has died aged 63 after a short illness, shot to fame at the end of the 1970s with Coventry’s groundbreaking multi-racial band the Specials. They emerged in the aftermath of punk, with a fizzing, politically charged mix of ska and new wave, and enjoyed instant success with their debut album, The Specials, which reached No 4 on the UK chart. For a time, the Specials’ 2 Tone Records operation became the UK’s most successful record label, with releases from Madness, the Beat and the Selecter alongside the Specials’ own.

Their second album, More Specials, featured a broader and jazzier musical palette and scorched to No 5. The band scored Top 10 singles with Gangsters, A Message to You Rudy, Rat Race, Stereotype and Do Nothing, peaking with their chart-topping classic Ghost Town in 1981.

Hall commented that “I don’t believe music can change anything” because “all you can do is put your point across”, but the Specials caught the fraught and dangerous atmosphere of the turn of the 1980s with an eerie intensity. Ghost Town in particular chillingly evoked the sense of social collapse and economic decline gripping a riot-torn Britain.

The Specials found themselves in the eye of the storm, with neo-Nazis frequently targeting their gigs. Hall and the band’s keyboards player, Jerry Dammers, were both arrested when they waded in to try to break up fighting between fans and security guards at a gig in Cambridge. They were found guilty of “incitement to riot” and fined £400 each.

However, when recording Ghost Town for an appearance on Top of the Pops, Hall and his bandmates Neville Staple and Lynval Golding announced they were leaving the band, as the result of internal personality clashes. They went off to form Fun Boy Three.

Building on the ska legacy of their former band, Fun Boy Three hit the UK Top 10 with their eponymous debut album (1982), and scored a Top 5 hit single with the infectiously catchy It Ain’t What You Do (It’s the Way That You Do it), its chart-friendliness much enhanced by the addition of the female trio Bananarama. Hall had brought them on board after seeing them featured in the Face magazine.

The same combined team enjoyed a further Top 5 hit with Really Saying Something, which also reached the Top 20 of the American club chart. After a second album, Waiting, and Top 10 hits with The Tunnel of Love and Our Lips Are Sealed, Fun Boy Three split up following an American tour.

Hall was born in Coventry, where his father worked at the Rolls Royce aeronautics factory and his mother at a Chrysler car plant; he had two elder sisters. Though he showed academic potential, passing his 11-plus exam with ease, and was skilled enough at football to be invited for a trial at West Bromwich Albion, he was given little encouragement in either direction by his parents.

His childhood was scarred by his experience of horrific sexual abuse. When he was 12, he was abducted by one of his schoolteachers and delivered into the clutches of a paedophile ring in France. He wrote about the episode in the song Well Fancy That, a track he recorded with Fun Boy Three in 1983. It included the lyrics: “On school trips to France / Well fancy that / You had a good time / Turned sex into crime”. Hall commented that “the only way I could deal with the experience was to write about it, in a song. It was very difficult for me to write, but I wanted to communicate my feelings.”

The traumatic events resulted in Hall being put on valium at the age of 13, and the effects of these experiences would continue to haunt him. During the 1990s he used drinking as a crutch and slipped into alcoholism. In 2004 he tried to kill himself and he was subsequently diagnosed with bipolar disorder, which had to be controlled with anti-psychotic medication.

He left school at 14 and undertook a string of temporary jobs, including as a bricklayer and a trainee hairdresser, before joining the punk band Squad as lead singer. Hall described the band dismissively: “It was just like 1-2-3-4 then make a noise for two minutes, and then stop and say 1-2-3-4 again.” When Squad supported an early incarnation of the Specials, then known as the Automatics, Dammers was impressed and invited Hall to join them. Hall liked the Automatics’ songs enough to accept, though it would take some honing and refining before the distinctive Specials sound emerged.

Hall’s post-Fun Boy Three career found him hopping between a bewildering variety of projects. In 1984 he formed the Colourfield with Toby Lyons and Karl Shale, which produced the Top 20 album Virgins and Philistines (1985) and a string of singles, of which only Thinking of You made much impression on the charts. Hall also undertook songwriting collaborations with Ian Broudie of the Lightning Seeds, before forming Terry, Blair and Anouchka in 1989, alongside Anouchka Grove and the American actress Blair Booth.

The trio were united by their fondness for cheesy 60s pop, and they covered the Captain & Tennille’s hit Love Will Keep Us Together, but their solitary album Ultra Modern Nursery Rhymes failed to chart, and a couple of singles did little better. “A lot of the stuff I’ve done is pretty much a wind-up,” Hall admitted. “Terry, Blair and Anouchka was completely taking the piss out of us and everyone else.”

Another project was Vegas, a collaboration between Hall and the Eurythmics’ Dave Stewart. Their solitary album fared poorly, though their version of Charles Aznavour’s She reached the Top 50. He undertook further collaborations with Tricky, Lily Allen, Shakespears Sister, Nouvelle Vague and Damon Albarn’s Gorillaz, and with Mushtaq (from Fun-Da-Mental).

He was also part of the Specials’ various reunions post 2008, one of only three original remaining members. The band’s comeback album Encore (2019) topped the UK chart. In 2021 they released Protest Songs 1924-2012, a collection of cover versions of famous sociopolitical songs down the decades, which reached No 2.

Hall is survived by his second wife, Lindy Heymann, and their son, Orson, and by two sons, Theo and Felix, from his previous marriage, to Jeannette, which ended in divorce.

 Terence Edward Hall, singer and songwriter, born 19 March 1959; died 18 December 2022.

Adam Sweeting


Monday, 19 December 2022

Terry Hall R.I.P.

 


It's another bad December, echoes of 2016 all round. Terry hall, one of this country's best front men has left the stage at just 63. Whilst this site was set up as a vehicle for my passion for The Stranglers, The Specials mean the world to me as well. A band with such spirit that picked racism up by the braces and showed it for what it was and sadly still is.... bullshit!

You will I hope forgive me if over the next week I indulge myself with a few Terry/Specials related posts.

R.I.P. Terry Hall, the world is a poorer one without you.

Tuesday, 10 September 2019

The 2 Tone Story - BBC 6 Music 25th August 2019


An updated account of the chequered history of Coventry's 2 Tone record label to mark it's 40th anniversary..... without doubt one of the most important labels in music history.

WAV: https://we.tl/t-tsY2VNrNqv

Enjoy yourself!

Tuesday, 6 December 2016

'Enjoy yourself, it's later than you think!'


Been meaning to do Terry for a while. One of the best, if a trifle gloomy at times, frontmen in the business.

Saturday, 3 September 2011

Terry Hall & Jerry Dammers Interviewed on BBC Radio 6 (Steve Lamacq Show 30th August 2011)


http://www.megaupload.com/?d=HUY26WJY

This is very exiting. This week on the excellent BBC Radio 6 station, Steve Lamacq on his Album of the Day slot took on The Specials album (certainly one of the most important albums of the 1970's). To discuss the making of the album and the early history of the band, Steve talked to none other than Terry Hall and Jerry Dammers (unfortunately not at the same time!).

Excellent material and fortunately 100% focused on the album, rather than issues with the reunion.

This is posted for the benefit of those outside of the UK who have experienced difficulties in hearing this essential hour of radio.

Full artwork here:
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