Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Showing posts with label JJ Burnel. Show all posts
Showing posts with label JJ Burnel. Show all posts

Saturday, 25 April 2026

Yet Another Stranglers Linoprint!

 

Jean Jacques Burnel (The Stranglers)
20cm x 40 cm lino print
Black ink on ivory card.

The sewing machine thunders downstairs into the wee hours of the morning, as Gunta enters her final university week in a billowing mass of black cotton and calico. For my part I am keeping a low profile, offering occasional words of encouragement, food and drink to the best of my ability and doing the odd bit of modelling! To this end linocutting/printing is pretty unobtrusive whilst keeping me on the spot in case emergency biscuits are required to be fetched.

So here is JJ Burnel up on one leg in what... 1983? Thanks to Mick A for the image.

It was a great image from which to do a linoprint. Despite the fact that the facial features are reduced down to part of his nose and his cheek, the rest being lost in shadow, there is no room for doubt as to who the subject is. I would go so far to say that even when featureless you know that expression on his face behind the shadow!

Sunday, 18 May 2025

Sunday, 9 February 2025

JJ Burnel Arts Centre Swindon (30th May 2000) And The Adelphi Preston(3rd December 2000) DVD

 


Following on from the earlier Royal Festival Hall gig, here are two more sets from the 'Songs and Stories' dates, one from the first leg (Swindon) and one from the second leg (Preston). Whilst the filmer(s) (unknown to me I am sorry) was well positioned for both gigs, the image quality has suffered somewhat over the years. However, the sound quality is good. Across these two complete gigs I think all of the 'lost' solo material is included;

'Talkin' 'Bout Me & You'
'Frogs Crossing The Road'
'Norfolk Coast'
'By The Sea'
'Big Thing Coming'
'A Kiss'
'The Girl & The Sea'

... almost enough for an album!






JJ Burnel Purcell Room Royal Festival Hall London 13th December 2000

 


Looking back, an incredible 25 years now, at these solo dates from Burnel in the middle of a crisis period for the band, it strikes me that this was the beginning of the recovery that culminated in the release of 'Norfolk Coast' four years later. It was a fight for the hearts and minds of a tired and disallusioned fan base. The biggest part of the battle was to win back the heart and mind of old Burnel himself! 

Hats off to whoever seeded the idea into the bass players mind, I have no idea whether it was JJ's idea or whether it came from others within The Stranglers' camp. 'Now listen JJ, things have got a bit stale with the band, we need a boost, arm your self with a six-string, a bottle of red and get you arse out into the provincial towns and remind people just what it was that you did in the punk wars and beyond!' And he did, even to the extent of playing Burgess Hill library (my old home town) on a tempestuous Tuesday night, the night before this gig in fact... I think the rest of the band owed him big time for that gig!

Is it just me that thinks that its a shame that some of the solo material, including the stuff that wound up on 'Norfolk Coast' was not pursued and turned into his next solo album? OK, so these songs are perhaps not as finessed in the same way as the 'Fire & Water' or 'Un Jour Partfait' songs are (but who knows how they could have turned out with a bit of studio attention lavished upon them). I think that it is a little regrettable that the record of these songs is limited to a VHS video (a defunct entertainment medium that few can still play these days) and a handful of bootlegs.

Anyway, here he is on the second leg of the 'Alone & Acoustic, Songs & Stories' tour in the prestigious Royal Festival Hall on London's South Bank.

Many thanks to yesican for replacing by knackered copy!

WAV: https://we.tl/t-YRZipbgT75

Alternative artwork: https://we.tl/t-mUOy2JwZlp




Sunday, 1 December 2024

JJ and Baz on Liz Kershaw's 'Legends In Their Own Lunchtime' Show (BBC 6 Music)

 


Here's one that I dredged up recently. As far as I can see I haven't posted this before. Broadcast on 12th December 2021, this one hour mix of music and chat looks both backwards at a long career and forwards, 'Dark Matters' having been released a few months before. So cast yourself back to that Covid period of suspended animation for 59 minutes.

FLAC: https://we.tl/t-kO6Min26Qy

Artwork: https://we.tl/t-d2fP4CrJMf



Wednesday, 6 November 2024

Interviews by Chris Lowe (Signal Radio) 1986 and 1987

 

Lifted from cassettes many moons ago. Chris Lowe was a DJ on Signal Radio in Stoke who if I recall was sacked for featuring too much Stranglers material on his playlists!

FLAC: https://we.tl/t-yxn2NJ3KoJ

Artwork: https://we.tl/t-Ctt0cjmUbl



Saturday, 25 November 2023

Stranglers bassist JJ Burnel on how he stays fit: ‘No sex or drugs – just rock n roll’ Daily Telegraph Interview (19th November 2023 - The Telegraph)

 Couldn't bring myself to purchase The Telegraph, but for anyone who missed it here's Liz Kershaw's interview with JJ from 19th November 2023.

You know you’re getting on a bit when your pop idols become pensionable – and that’s if they’re lucky. In recent years, so many of mine have sadly slipped off all too soon to that great gig in the sky. Others have simply slipped on stage. Bruce Springsteen, 74, took a tumble during at least two gigs on his recent 50th anniversary world tour and had to cancel a few nights because of a mystery illness. Earlier this year Madonna, 65, (who also famously had a fall at the 2015 Brit Awards) was hospitalised due to a bacterial infection and had to postpone her 40th anniversary tour. Mick Jagger, 80, meanwhile, takes a preventative approach and travels with a mobile gym and a physiotherapist. 

Clearly it’s a perilous business being an ageing rock star. So what does it take to ensure you’re stage-ready at 9pm when your peers are settled on a sofa with a cup of tea? Bassist Jean-Jacques Burnel is now the last man standing from the Stranglers’ original line-up. 

Next year, at 72, he’ll notch up half a century as the driving force of one of our most innovative and enduring British bands. He lives with his partner in Provence, in his French parents’ old house, but was recently in the UK for the launch of his autobiography, Strangler in the Light, and to rehearse for the band’s Golden Anniversary tour, on which he’ll once again be thrashing his bass, karate-kicking at the crowd and ripping off his soaking shirts to get his pecs out. Fifty years on, Stranglers’ gigs are still mostly sold out – and an energetic business. So how does Burnel stay so fit?

“Touring is exhausting. You have to keep in good shape. It’s all down to respect for the people who’ve paid good money to see us. How many bands are still going strong after 50 years and can sell out the Royal Albert Hall in seconds? I used to be a punk and, as an angry young man, I was very anti-authoritarian and always getting into punch-ups. But this tour won’t be Last Night of the Punks. These days I’m much more disciplined. And I’m not ready to retire yet!

I’m a seventh dan in karate – [one of] the highest rated in the UK – so I’ve always worked really hard on keeping myself fit. I’m always busy with band stuff but I never miss exercising, indoors or out. My “religion” dictates that I do at least one training session every day. I do up to 100 press-ups and sit-ups and work on kicks and exercises to work the different muscle groups – whether I’m in a hotel room or at home, where I also do cold-water swimming in my pool or a nearby lake. Or I walk a mountain trail. But I don’t run because it’s bad for the joints.

The best exercise is to be on my feet on stage. Moving about on stage stops my backache for a couple of hours. I try to give it my all and I lose about two litres [3½ pints] of fluids during a gig – by the end I’m completely drained. 

These gigs will be more than three hours long, and mainly in seated venues, with an interval… or rather a comfort break – a lot of our fans have been with us since 1974. 

All the playing and travelling is gruelling and it’s so easy to let yourself go. So as well as making time for exercise, I insist on eating healthily: mostly protein and greens. I always eat breakfast – usually eggs, sometimes with bacon and brown sauce, but no bread and always fresh coffee. I’ll have a salad for lunch and in the evenings, at home, I like to cook fish, lobster, meat and veg. I’m partial to truffle oil and a dollop of crème fraîche. On tour we have a couple of cooks with us. If I do have to grab any junk food I’m filled with self-loathing!

Being French I like a small glass of rose with my lunch, home or away. But there’s no other booze before the gig. The band do enjoy a well-deserved drink while we chat through our post-match analysis. If we’ve had a really good night we might pop a bottle of champagne and then a couple of bottles of red. But nobody needs a hangover, just plenty of sleep. I’ll usually get to bed by 1am wherever I am and fall asleep to Debussy. And I don’t get up until 11 unless I have to be up and on the road early. I know it doesn’t sound very “sex and drugs and rock ’n’ roll” from the guy who was NME’s Stud of The Year in 1977! But still, I hope I’m not your standard septuagenarian.

I was only 21 when I met the other guys from the band. I’d just dropped out of uni when I picked up a hitchhiker near Guildford one night and met his mates, and next thing I was invited to replace him in their band. We all lived hand to mouth above the off licence owned by our drummer, Jet Black. By 1976 we were getting 200 gigs a year in pubs. Jet would collect our 25-quid fee and then treat us to Kentucky Fried Chicken, which I loved back then – though I wouldn’t touch it now. 

I had no fat on me but I wasn’t scraggy. I was a little kid in London in the hungry 1950s, when food was still rationed. But my dad was tall and muscular, from Viking stock, and my mum was tall and beautiful, so I had good genes. So I was already over 6ft at my all-boys grammar school. I played rugby and as I was always getting into fights I’d taken up boxing, so I already had muscles when I discovered a karate club at uni.

As a student I had no idea how to talk to girls. Six years later, when the Stranglers were on stage there for the first time, I was an absolute babe-magnet! There’d be girls queueing up outside my hotel room door. And then top models are all over you and you’re invited to fashion shows and Grace Jones jumps out of a cake for you at a party and famous rock stars’ wives are blatantly chatting you up… It all got so weird. How did I cope? I was like a kid in a candy shop – I just went for it! I’m told I’m still cute, but actually I’m not that bothered about sex anymore. Lower testosterone – it’s a fact of later life.

On this tour we’ll be playing songs from our catalogue of around 200 from 18 albums. We’re playing some of the more obscure ones live for the first time. Back in the day we were trying to be clever and they’re quite complex arrangements and hard to play now. I’m having to get my head – and fingers – round all the notes and regain muscle memory. To be honest, we were off our heads on mind-altering drugs back when we wrote them.

For one whole year, me and some of the other guys decided to take heroin to see if it inspired us creatively. We’d inhale lines of heroin (for a high) mixed with coke (for energy). It did produce a different kind of album! But I was going to bed at dawn and sleeping all day. I was 30 and in a pathetic physical state. As thin as anything, just skin and bones. Dave [Greenfield], our keyboard player, took charge. I went cold turkey, which was grim, and after two or three days I vowed I’d never touch the stuff again. 

What saved me was that I never injected anything. That and karate, which has helped me hold back – though getting injured goes with the territory. I’ve torn cartilage, muscles and tendons, broken bones and had two screws in my leg and done a whole Stranglers tour on crutches. But karate has kept me on an even keel and, as well as keeping me physically fit, it’s a much-needed coping mechanism. A way of life. A philosophy. “Never give up. Persevere. Remain faithful. Respect yourself and others.” I now share this with the students at my Shidokan karate school in London, which I set up more than 30 years ago.

Emotionally, the last six decades have been a real rollercoaster and at times I have struggled with my mental health. At my lowest point I tried to top myself. Our fifth album, [The Gospel According to the] Meninblack, came out in 1981 and went straight to number eight in the charts, but the next week it had disappeared. We were skint. I thought it was all over, so I took myself off to my garage… Luckily I really was a failure! 

Hugh Cornwell, our singer, called me after a gig in 1990 and said he was leaving us. All the band’s assets were then frozen. I had no money. I had to sell my motorcycles to feed my kids. The highs have been getting my pride and the band back on track.

The Stranglers have never been seen as soppy, because we’ve never written love songs. But on our last album, Dark Matters, in 2021, two songs are about love. One [And if You Should See Dave…] for my friend of 45 years, Dave Greenfield, who we lost to Covid. Plus The Lines is about still being able to love yourself when you look in the mirror and have to face up to ageing.

Some of my peers are having Botox and dying their hair. I think they look ridiculous. I just accept the wrinkles and white hairs – as well as a bad back, detached retinas and hearing loss. I’ve yet to write a song about incontinence! 

One thing that I’ve learnt over the years is that you can’t go on stage wasted. If I am tired one morning, that’s a pain, but if it gets so that I wake up every morning knackered, then I’ll think about packing it in. But I have to be doing something. I can’t bear lying around on beaches. I’d still be revving up my motorcycle or hiking with my dog in the mountains. And jamming in a local blues band with a founder member of the Yard Birds. Oh, and enjoying the Telegraph crossword every Saturday! And my little grandkids, aged two and three, who are the real stars now. Don’t tell anyone, but I’m a big softy really.”

Sunday, 12 November 2023

Jean Jacques Burnel 'Strangler In The Light'

 


First and foremost, well done to Coarsegood books for producing such a well presented book. Being something of a bookish type I do appreciate good presentation and this publication has that in abundance. But as they say, 'You can't judge a book by its cover'. Indeed not and this was an initial concern of mine. A long career in the rock 'n' roll business can play havoc with one's powers of recall, something to do with all of the late nights I think! I'll be honest here in that I feared that Mr B's memories of critical creative times for the band i.e. around the time of 'The Raven' and 'Gospel' albums would be somewhat hazy on account of those late nights, but happily this was not so.

I like the fact that the book is structured in terms of themes rather than having a chronological presentation, this breaks up what is ultimately a very well known story for a great many readers. Early in the book, JJ elaborates on his sense of being different. It cannot have have been easy growing up with French heritage 10 years or so after the Second World War. My family have first hand experience of this. My wife is half German and half Latvian. Born in '65 and raised in Coventry, 25 years after Goebbels boasted of the city being 'Coventrated'. The fact that my in-laws dressed her up in a Heidi outfit didn't really help matters. Roll the calendar forward some 30 years and we find ourselves sitting in the Junior School headmasters office as he apologised for the nazi taunts that our kids had been subjected to in the playground. Kids are very cruel, so just like the narrator in Johnny Cash's 'A Boy Named Sue', our JJ had to learn to give it out.

'And he said, "Son, this world is rough
And if a man's gonna make it, he's gotta be tough
I knew I wouldn't be there to help you along
So I give you that name, and I said goodbye
And I knew you'd have to get tough or die
It's that name that helped to make you strong"'

And it seems that there were parallels with Mr Burnel Snr and Sue's old man.... both were good in a fight as indeed was Grand-père Burnel too! Forget the Biffa Bacon family of Newcastle, enter the Biffa Burnels of Normandy!

Some chapters filled in gaps in my knowledge, for example a more detailed exploration of JJ's life long commitment to martial arts and the strength (mental) and discipline it has given him over the last five decades. For the bikers out there he spends time on his passion for motorbikes, no so interesting for me, unsteady as I am on a push bike. However, his involvement with Shidokan and bikes are two elements that alongside music maketh the man, so the detail needs to be in there.

What I did particularly enjoy were the conversations covering his like in music outside of The Stranglers. From 'Euroman Cometh' through to the Gankutsuou soundtrack material, there is a diversity there that shows that creatively, he is much more than a hooligan bass player! A particular favourite of mine is 'Un Jour Partfait', which perhaps I have Hugh and his waning interest in the 'other' band to thank for as JJ had to seek other creative avenues for his musical creativity. Interesting that this French only release was not well received in the Mother country. Also of interest is the time he spent supporting, promoting and producing young European bands, Taxi Girl and Polyphonic Size in particular (see the previous post where Taxi Girl's 'Seppuku' demos are shared).

Perhaps one area that has not been the subject of quite so much Stranglers' lore concerns the relationships and dynamics of the band over its near 50 year existence. This part of the book is saved for the last chapter entitled 'Membership'. Obviously, Hugh's departure is right out there in front. The fact that these two surviving original Stranglers only interact by sniping periodically in press interviews continues to sadden me. But, these two men have 140 years plus life experience between them so if the issue hasn't been resolved by now I guess it never will be. I suppose that elements of those personality  traits that made them difficult and defiant individuals when the band started out still come into play 33 years after Hugh walked away.

The story of Paul's time with the band pretty much correlates with my view of Hugh's replacement. An affable and able vocalist but one who was never really Stranglers' material. After 16 years in the fold, Paul's commitment seems to have evaporated at a time when the band had been at their lowest career ebb (at the time of Paul's departure, half of 'Norfolk Coast', the return to form album, was done, so whether the band fully knew it or not, recovery was just around the corner). Of course I was not party to what went on, but I can well imagine that with Baz Warne now in the band (in place of Paul's ally John Ellis) and JJ's and Baz's developing musical partnership, Paul Robert's felt increasingly marginalised and jumped. As for John Ellis, well it is enough to say that I doubt whether he will be reading the book any time soon. 

But what of Jet and Dave? JJ talks of a couple of rows that he had with Jet towards the end of the big man's tenure on the drum stool. JJ lost it a couple of times when Jet messed up or played too slow. I think I saw one of these outbursts at a soundcheck in Dunfermline.

When JJ talks of Dave it is clear that there was a very special bond between the two men, also apparent when the former performs 'And If You Should See Dave'. I did not realise that his health problems were as serious as they were. I knew that he had COPD and that his love of a drink occasionally made for some interesting and quirky keyboard moments. I was also aware that he had been told to reign it in before gigs and that did make a difference, but I did not know the difficulties that he was in (and of course why should I!). Either way, for many, including me, he was the sound of The Stranglers, the piece of the puzzle that set them apart and afforded them the great success that they enjoyed.

So then, a great book that offers something new even to the most knowledgeable members of the fan base. Thank you JJ! 

Tuesday, 19 September 2023

JJ Burnel 'Strangler In The Light' Book Event Rough Trade East 15th October 2023

 

To mark the launch of the English translation of 'Strangler In The Light' JJ is making an appearance at Rough Trade East in London's Brick Lane. Having posted this 48 hours or so behind Stranglers (Official) I would imagine that it is sold out.... it is a small space with lots of record aisles (as you may expect in a record shop!). Looking forward to getting my copy through the post.

Tuesday, 30 May 2023

JJ Burnel Swindon Arts Centre 30th May 2000

 


An anniversary to mark here, JJ's first run of 'Songs and Stories alone and acoustic' on this night twenty three years ago! I saw a couple of these shows, firstly at the Union Chapel (drinking beer in church pews... that felt strange!) and then at Christmas in my home town of Burgess Hill (that's on the site too).

FLAC: https://we.tl/t-GsuwdyId8f

Artwork: https://we.tl/t-3Joj9glgAm



Friday, 24 March 2023

Jean Jacques Burnel Inked 978

 


'Bring me a piece of my mummy
She was quite close to me'.

Jean Jacques Burnel (The Stranglers)
15cm x 20cm linoprint
Blank ink on cream card.


Sunday, 16 May 2021

Jean Jacques Burnel Inked

 


Jean Jacques Burnel (1979)
21 cm x 30 cm (A4) Linocut print
Black ink on cream art card.

Tuesday, 23 March 2021

Don't Bring Harry Worth

 

Admittedly, this is probably completely lost on a non-British under 50 audience!

Sunday, 8 March 2020

JJ Burnel In Conversation with Liz Kershaw (BBC 6 Music Festival) 6th March 2020


JJ at Dingwalls discusses Camden's part in the bands history and of course THAT fight that has subsequently become a part of punk folklore!

And now a big thank you to Duncan for the full version (MP3)!

MP3: https://we.tl/t-YmO4pYTtih

WAV: https://we.tl/t-vkNejinJQu


Tuesday, 3 September 2019

Taxi-Girl Seppuku Demos 1981 - RIP Laurent Sinclair


Tonight we heard the news that Laurent Sinclair from the band Taxi Girl has died at the young age of 58. The band were associated with The Stranglers and particularly JJ in the early '80's. They supported the band on dates on the La Folie tour.

To mark this sad occasion here are demos that the band recorded in 1981. Thanks as ever to Eric and The Rat Zone.

M4A: https://we.tl/t-UOihRlpWlt




Friday, 1 February 2019

JJ Burnel Interview BBC Radio Essex January 2019


JJ's being naughty again!

Here's a recent promo interview ahead of the tour that was broadcast on BBC Radio Essex.

MP3: https://we.tl/t-iT8Rybv2Z7

Saturday, 12 January 2019

JJ Burnel Le Truck 'K' Lyon 5th April 1989


Here's a recent bootleg that appeared on the Forums a week or so ago. Since the link to it via the Forum has expired I am more than happy to give it a permanent home on Aural Sculptors. I very nearly went to this. A great night with a very European flavour...... something sadly lacking these days!

Thanks as ever to Eric!

FLAC: https://we.tl/t-NOuqhOrJoE



Monday, 10 December 2018

JJ Burnel Interview on Boston WBCN-FM 24th March 1978


JJ Burnel on a radio phone in post their 1978 gig at the Rat Club in Boston. Ruddy 'Ooligan!!

FLAC: https://we.tl/t-IJ5duZqeqV