Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Friday, 20 February 2026

Kraftwerk Roundhouse, London 10th October 1976 Review (New Musical Express 16th October 1976)

 

New Musical Express (9th October 1976)

If the Sex Pistols caused a ripple of confusion through a sea of denim in the mid-70s then I am sure that the same can be said of Ralf Hütter and Florian Schneider of Dusseldorf's Kraftwerk. Kraftwerk turned heads for the exact opposite reasons to Sex Pistols and their followers. As reviewer, Miles, had it below 'They are a very neat band, all dressed in suits and ties and short hair like bank managers'. By October 1976, the band in some form (always around Ralf and Florian) had been making experimental noise already for more than six years. As time had gone by that noise had come to rely increasingly on electronics and a good power supply. By October 1976, the line up had settled into what was to be the 'classic' Kraftwerk quartet of Ralf Hütter, Florian Schneider, Karl Bartos and Wolfgang Flür. The band in this form had two classic albums under their belts, 'Autobahn' and 'Radioactivity' whilst live they were playing two tracks from what is perhaps their finest album 'Trans Europe Express' with the title track and 'Europe Endless' appearing in the set.

Unlike their contemporaries, Kraftwerk's music defies age, it is and still sounds timeless.

On 10th October they were in the UK appearing in a headline show at Camden's Roundhouse, a gig that the New Musical Express reviewed the following week.

New Musical Express (16th October 1976)

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