Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Sunday, 21 September 2014

Theatre de L'Empire Paris 12th November 1979


Another great gig from the Raven tour in Europe, Brilliant quality for its age and a fitting post for a significant anniversary!

Same set as played four days later in Bordeaux.... no changes required! Thanks are due again to Eric2Vini for permission.

WAV: http://we.tl/1h0XeeKjig



The Raven - The Rough Mixes


'The Raven' did not fall from the sky as the near perfect finished creation that we all know and love. Here are the rough mixes of most tracks from the album. Admittedly, these versions are pretty close to the final output, albeit lacking some of the polish applied to the final cuts.

Most notable here if the inclusion of 'Social Secs', Hugh's musical response to the 'Rock Goes To College' debacle in the band's hometown of Guildford.

My thanks go to Eric2Vini for his permission to upload this on Aural Sculptors.

WAV: http://we.tl/pMOsUPN2Tg

Artwork pdfs are included in the download file.


The Raven Flies Straight To Bordeaux 12th November 1979


This recording has appeared on the site previously, but the rapidshare link is dead, so there's no time like the present to resurrect this one. The band's visit to the French city of Bordeaux on 16th November 1979 give us what is widely considered to be one of the best, if not the best, live recordings of the period.

Take a look at the set for a moment. The band's belief and confidence in the strength of their new material is there for all to see. In a seventeen songs set, no less than eight are included from 'The Raven', make that ten if you include 'The Menhinblack' and 'Don't Bring Harry' that saw the band onto and off the stage (only 'Longships' from the album does not receive an airing here). Again, I think that this is indicative of the risks that The Stranglers were prepared to take with this album. Contrast with the band's 2012 set which showcased the then new album 'Giants' with typically four new songs.

FLAC: http://we.tl/3Yj5E5fl3Y

Artwork: http://we.tl/vP0BeahUlJ

01. Five Minutes
02. Shah Shah A Go Go
03. Ice
04. Down In The Sewer
05. Hanging Around
06. The Raven
07. Dead Loss Angeles
08. Threatened
09. Baroque Bordello
10. Curfew
11. Tank
12. Burning Up Time/Bring On The Nubiles
13. Nuclear Device
14. Genetix
15. Duchess
16. Toiler On The Sea


The Raven at 35


As most of you will be aware, today marks the 35th anniversary of the release of 'The Raven', argued by many to be the band's finest studio album. Be that the case or not, there is little doubt that in terms of a planned departure from the 'Stranglers' sound' which had recently established the band as a tour de force of the New Wave scene, 'The Raven' was the most daring of their albums (not even 1983's 'Feline' can claim that prize!).

Personally, I would say that 'The Raven' is a close second to 'Rattus' in the best album stakes. However, I find such black and white grading of albums a challenge (sorry for the pun!). Rather, the Mk I albums represent a progression and in each album, I can hear a musical thread that connects a given album with both its predecessor and its successor. As suggested by JJ on the Official Site, 'The Raven' is an international album (France, Iran, Australia, Japan etc. feature across the two sides of the album). This is certainly the case in comparison with the highly London-centric 'Rattus Norvegicus' (okay, I concede that Toulouse is not London in the strict sense, more of a suburb maybe!). The travel, the drugs and the global unrest of the times opened the band, and therefore the fanbase, up to some rather esoteric topics and these set the tone for the next couple of albums.


'The Raven' also introduced fans of the band to some extraordinary imagery, that stage backdrop, stark, white lighting, the black clothes, white guitar straps (Hugh's oxford bags!?).... all visual elements that cemented the look of the band for the next few years. 



I think that if asked to pinpoint the essence of the band's style, a majority of fans would make reference to this period and to 'The Raven' in particular.

To mark the date and to accompany the excellent pieces that now feature on the Official Site, Today I am posting a trio of Raven related posts.

So Happy Birthday old bird!





Thursday, 18 September 2014

Angelic Upstarts The Alternative Lubeck 10th September 1989


Following on from the last 1987 post that was the Rejects gig, I was prompted to put up an excellent sounding gig, also from the late '80's by The Upstarts. Brilliant, utterly uncompromising stuff from Mensi & Co.

The Cockney Rejects/Upstarts connection was reinforced when I read 'I'm An Upstart - The Decca Wade Story', a punk roller coaster tale of the highs and lows endured by the hell raising, diminutive,  oft-times Upstarts drummer in his long musical career.




01. Police Oppression
02. Murder Of Liddle Towers
03. Solidarity
04. Machine Gun Kelly
05. One More Day
06. Two Million Voices
07. Woman In Disguise
08. Kids On The Streets
09. Last Night Another Soldier
10. Teenage Warning
11. I'm An Upstart
12. White Riot
13. If The Kids Are United


Wednesday, 17 September 2014

You’re In A Hole, You’ve Gotta Get Out Of It – The Henry Moore Foundation 14th September 2014

Reclining Woman: Elbow, 1981 with Retiring Wife: Through Hole 2014

Talking of sculptors (!), Henry Moore was the greatest sculptor that Britain has ever produced. What’s more, he lived a mere 4 miles from Bishops Stortford in Hertfordshire, our home town for the last 19 years.

The Henry Moore Foundation dominates the Hertfordshire village of Perry Green. Here Henry resided in rural seclusion with his wife Irina from 1940 right up to his death in 1986, whilst all the time wowing the art world across the globe with, not only his unmistakable abstract sculptures, but also with his prints, fabrics and tapestries. Mr. Moore was nothing if not prolific on the art front.

That we have waited almost 20 years to visit this cultural Mecca on our doorstep is baffling. That we pre-planned this visit some weeks ago as something to do last weekend is also rather poignant. Only on Saturday we learned that one of Gunta’s close relatives is seriously ill. This relative, also a sculptor of some note, studied the subject under the tutelage of none other than Henry Moore and was himself a visitor to Perry Green in the 1960’s.

Reclining Figure: External Form 1953-54

A tour of the house was a journey back to your Grandparents house in the ‘60’s and ‘70’s. A frugal man, there is nothing in the house suggestive that the owner was in fact a multi-millionaire superstar of the art world…… save for the Picasso handing in the kitchen ot the Renoir hung in the corner of the living room!

Thankfully as we entered the extensive gardens the weather looked down upon us favourably, despite showing the potential for a deluge. So we spent a pleasurable hour perusing some of the baffling forms that he created, including ‘Reclining Figures’ too numerous to count (if you stumble across a successful formula, why not stick with it!).

By my own admission, I know very little about art and clearly I do not view his pieces in the same way as Moore (the whole point of the exercise I suppose), but the scale of his works are incredibly impressive and the bronzes are very tactile.

Large Figure in a Shelter 185-86; Small Daughter 2014

In addition to the plentiful Moore exhibits, the Henry Moore Foundation is currently hosting an exhibition in the grounds entitled ‘Body Void – Echoes of Moore in Contemporary Art’. Notably, this includes works by Anthony Gormley and  also Damien Hirst’ halved calf and cow, which whilst interesting, surely would be more at home in a museum of natural history as opposed to an art gallery, but that is only my view.

Rudi made me laugh when he said that the photographic piece ‘Pose Work for Plinths 3’ by Bruce McLean owes all of its inspiration to Python’s ‘Ministry Of Silly Walks’ sketch. It’s a fair point……

Pose Work for Plinths 3 by Bruce McLean, 1971


Knife Edge Two Piece 1962-65; Old Bloke 2014


Saturday, 6 September 2014

10 From '87 (5) Cockney Rejects Centro Social La Cuesta Arnedo La Rioja 10th April 1987


This is quite a rare recording I am led to believe, released as a Spanish pressed bootleg in 1987 entitled 'Greatest Hits Volume IV - Live In Spain'.

Not quite sure where they were in their career at this point, but the set only includes a couple of tracks from their hard rock years, plus a cover of the Kinks' 'Til' The End Of The Day'. The rest of the set is from the 'Greatest Hits Volume I' and 'Greatest Hits Volume II' era for which they are best known.

FLAC: http://we.tl/QSYnPDhB8E

01. Til' The End Of The Day
02. Bad Man
03. Power And the Glory
04. On The Streets Again
05. I´m Not A Fool
06. Some Play Dirty
07. Greatest Cockney Rip Off
08. Headbanger
09. East End
10. Join The Rejects
11. Police Car
12. Hate Of The City
13. Flares ´N´ Slippers




Stinky Turner and Co. are still playing with 35th Anniversary dates lines up for November including one on the 15th November at the O2 Academy Islington.