Aural Sculptors - The Stranglers Live 1976 to the Present
Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.
As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.
Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.
In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.
Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.
Saturday, 4 July 2026
The Jam Park West Chicago 6th March 1980
Thursday, 2 July 2026
Update On 2026 WeTransfer Subscription Donations
Yesterday subscription tally reached the halfway mark with £105 of £198 kindly donated. A huge heartfelt thanks to all of you who have taken the time to support the Aural Sculptors site. Don't take this as rattling the tin, I post this only due to the fact the fact that the earlier post requesting donations to cover the annual WeTransfer subscription (which hosts all of the files associated with the site) is now buried beneath several yards worth of subsequent posts.... mostly pictures of Debbie Harry!
Should you still wish to contribute you can do so by scrolling down the right hand site bar until you reach the PayPal button.
Thanks once again.
Adrian.
Blondie's New York... And The Making Of Parallel Lines DVD
Blondie Chateau Neuf Oslo 28th August 1978
So here in Oslo you have a band really at the peak of their creativity and the success that went with it. The hits continued for another couple of years until the band dissolved in late '82. Chris Stein became seriously ill and Debbie Harry withdrew from the limelight and tended to him for several years.
In 1999 they achieved a marvellous feat when, on coming back after an absence of 17 years, they scored an major international hit with 'Maria'. Testament to the inherent quality of the band.
FLAC: https://we.tl/t-iFnjxcbDTiBr1Zve
Artwork: https://we.tl/t-7uOzgw9im7eP7sQR
Wednesday, 1 July 2026
Top 30 Punk Albums #11 Parallel Lines - Blondie
'Punk album'? Okay, I'll admit to bending the rules a little bit on this one... perhaps it is more pop, new wave, garage, disco... who cares, it is one of the defining albums of the 1970's and I bet there are not many visitors to this site that don't own a copy of it.
I missed punk, but there was no escaping Debbie and Blondie. I remember in 1980, my home town of Burgess Hill in West Sussex hosted a 14 - 18's on Saturday mornings in a hall in the town centre. I was 11 and my mate, Paul, also my next door neighbour, was 10. What's more we were both tiny, real small fry.... but we got in week after week. The reason for getting in was simple. Paul's Dad was the local 'celebrity' DJ responsible for spinning the discs at these events. Thinking on, the year could have been late '79 into '80. Either way, Blondie was huge and the singles lifted from 1978's 'Parallel Lines' album were still played as they were guaranteed to fill the dance floor with teeny boppers. 'Sunday Girl', 'Hanging On The Telephone' and 'Heart Of Glass' were just huge. The intros to each of those tunes are perhaps the most evocative songs in my jukebox brain. To hear them throws me straight back into the late '70s. If ABBA produced the perfect pop, then Blondie took the crown for delivering perfect pop punk, or perhaps as the term did not really exist at the time... power pop. What's more their incorporation of the rhythms of disco did not seem out of place at all... after all New York City was the crucible of the '70's disco scene.
However, whilst the singles were brilliant, the album tracks that make up 'Parallel Lines' are also works of extraordinary art. 'One Way Or Another', Fade Away & Radiate', '11.59', 'Will Anything Happen'.... all classic tracks that would also have been huge hits if released as singles.
It's funny, I have never been drawn to female vocalists. Don't worry I'm not an incel or an otherwise misogynistic moron!! I just happens that 80% of my record collection features male singers. Debbie Harry was always an exception. It is fair to say that I did rather fancy this particular female singer too. Debbie's looks worked very well for the band, a fact that Debbie herself exploited to maximum effect. That is not to say that Blondie were just a band with a pretty face. Far from it. As a package they had it all, great musicians, great producers and engineers, all contributing to a great collection of songs... and they had Debbie Harry fronting! There was something else too... Blondie were extraordinarily exotic, at least to a pre-teen from Sussex! They walked mean streets of New York City, a place known only in the vaguest sense through television. Blondie encapsulated all of that I imagined of New York at that time.
Many years later I saw Blondie for the first time and it was in Manhattan, at the Roseland Ballroom to be precise and it was something else.
Years later still, in 2013 Gunta and I travelled to New York to see The Stranglers. On our last day in the city we were drinking in a bar, possibly in Bleecker Street or Greenwich Village, I don't recall now, but we got talking to an elderly, bohemian couple. They were in their 80's and had lived in the area for ever. We started taking about the NYC music scene. They said that Lou Reed could be regularly spotted wandering throughout the area, but they said that he was a miserable old sod (or whatever the New York equivalent was) who hated to be recognised on the street almost as much as he hated not being recognised! Debbie Harry, on the other hand, whilst also a regular sight on the roads all around, was lovely, always obliging to say hello and to have a photo taken... take that Lou!
Back to 'Parallel Lines', here's what the UK critics had to say.... it was mostly positive, but at the end of the day I don't give a damn for the opinion of the music press... 'Parallel Lines' is a work of art!
Sounds (9th September 1978)
Monday, 29 June 2026
The Rezillos Opera House Winter Gardens Blackpool 5th August 2023
The irrepressible Rezillos here, performing at 2023's Rebellion Festival and captured by Chatts. Cheers! A smattering of 'newer' material in this set.
FLAC: https://we.tl/t-Ch82DQFBCPFoGzQF
Artwork: https://we.tl/t-jDAreTgMMZRmWs3U
Sunday, 28 June 2026
Atlantis Alkmaar Netherlands 24th February 1997
DomP has gifted the site another great recording to which he has applied some audio noodling to achieve a version of this Mk. II gig that is streets ahead of the previous version that I uploaded to the site both in terms of format (FLAC versus MP3) and quality. I have also now added artwork.
For enthusiasts of this era of the band this will be a gem. With Paul and John performing the majority of the song writing on 'Written In Red', this dynamic was logically translated into the live set. Never before or since has a Stranglers set deviated so much from the 'classic Stranglers' and for that reason this is a good recording to bag as some of the songs in the set are unlikely to make a reappearance. Did 'In A While' ever get played anywhere else?
As mentioned in the first posting of this gig, Alkmaar served as the forerunner of the Wonky Bus excursions. It is evident from Paul's comments during the gig that the UK travelling contingent took over the front of the gig.
Thanks for answering the call Dom, some more Roberts era material was what I was looking for to balance up the audio record somewhat.FLAC: https://we.tl/t-tNaXOOJPe8Dy560L
Artwork: https://we.tl/t-46XudTkFrzjQNuOx

















