Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Sunday, 23 March 2025

Spotlight on Andrew Lauder (New Musical Express 3rd March 1978)

Here's a brief insight into the world of Andrew Lauder, the record company executive, who when with United Artists signed The Stranglers, and along with the acquisition of Buzzcocks, made UA one of the big league independent labels behind punk.

This piece comes from the time when, having left United Artists, he was setting up Radar Records that really got behind Elvis Costello & The Attractions.

I found it interesting what he said of the punk scene as it existed in early 1978.

"In 1977," he theorises, "a new generation of kids discovered rock 'n' roll for the first time. This year many of them will learn how to play it and those who've already learned to play it are now learning how to write it".

He hit the nail on the head with that opinion I thought. Those bands that had survived the madness of punk could within 18 months play their instruments and were therefore free to produce some very exiting and totally diverse material... the reason why 1979 can be considered to be the best year for British misic ever!



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