Geordie Walker 1958 - 2023

 

More bad news pouring in on social media this evening. Geordie Walker, originator of the grinding guitar that made Killing Joke sound like a band without equal has died at the age of 64. 

This site, in its usual, rather insignificant way will mark this huge loss to the punk community in the coming days. 

999 Musiktheater Piano Dortmund 11th November 2023

Thanks as ever to my friend Peter for sharing this recent gig that 999 played in Dortmund recently. A great solid set as always from one of the most important band's in my world! They seem to be thoroughly enjoying themselves right now. Stuart posted that as of 19th November the band had clocked up 38 gigs in the year... fair play to a work rate like that from a band that mark their 48th anniversary next month. 

We were hoping to make it over to Germany for this one. We haven't been to the area since Gunta's aunt died in Dusseldorf some years ago and we have yet to see 999 abroad. However, she has just embarked on a degree course and is having to study for the first time in 40 years, so leisure time is a little restricted for now! Sadly, Ruts DC in Dusseldorf went the same way this year too. Next year we will do better!

Enjoy!

FLAC: https://we.tl/t-6qFy9lPbVT

Artwork: https://we.tl/t-9GK8W7LZZW

Stranglers bassist JJ Burnel on how he stays fit: ‘No sex or drugs – just rock n roll’ Daily Telegraph Interview (19th November 2023 - The Telegraph)

 Couldn't bring myself to purchase The Telegraph, but for anyone who missed it here's Liz Kershaw's interview with JJ from 19th November 2023.

You know you’re getting on a bit when your pop idols become pensionable – and that’s if they’re lucky. In recent years, so many of mine have sadly slipped off all too soon to that great gig in the sky. Others have simply slipped on stage. Bruce Springsteen, 74, took a tumble during at least two gigs on his recent 50th anniversary world tour and had to cancel a few nights because of a mystery illness. Earlier this year Madonna, 65, (who also famously had a fall at the 2015 Brit Awards) was hospitalised due to a bacterial infection and had to postpone her 40th anniversary tour. Mick Jagger, 80, meanwhile, takes a preventative approach and travels with a mobile gym and a physiotherapist. 

Clearly it’s a perilous business being an ageing rock star. So what does it take to ensure you’re stage-ready at 9pm when your peers are settled on a sofa with a cup of tea? Bassist Jean-Jacques Burnel is now the last man standing from the Stranglers’ original line-up. 

Next year, at 72, he’ll notch up half a century as the driving force of one of our most innovative and enduring British bands. He lives with his partner in Provence, in his French parents’ old house, but was recently in the UK for the launch of his autobiography, Strangler in the Light, and to rehearse for the band’s Golden Anniversary tour, on which he’ll once again be thrashing his bass, karate-kicking at the crowd and ripping off his soaking shirts to get his pecs out. Fifty years on, Stranglers’ gigs are still mostly sold out – and an energetic business. So how does Burnel stay so fit?

“Touring is exhausting. You have to keep in good shape. It’s all down to respect for the people who’ve paid good money to see us. How many bands are still going strong after 50 years and can sell out the Royal Albert Hall in seconds? I used to be a punk and, as an angry young man, I was very anti-authoritarian and always getting into punch-ups. But this tour won’t be Last Night of the Punks. These days I’m much more disciplined. And I’m not ready to retire yet!

I’m a seventh dan in karate – [one of] the highest rated in the UK – so I’ve always worked really hard on keeping myself fit. I’m always busy with band stuff but I never miss exercising, indoors or out. My “religion” dictates that I do at least one training session every day. I do up to 100 press-ups and sit-ups and work on kicks and exercises to work the different muscle groups – whether I’m in a hotel room or at home, where I also do cold-water swimming in my pool or a nearby lake. Or I walk a mountain trail. But I don’t run because it’s bad for the joints.

The best exercise is to be on my feet on stage. Moving about on stage stops my backache for a couple of hours. I try to give it my all and I lose about two litres [3½ pints] of fluids during a gig – by the end I’m completely drained. 

These gigs will be more than three hours long, and mainly in seated venues, with an interval… or rather a comfort break – a lot of our fans have been with us since 1974. 

All the playing and travelling is gruelling and it’s so easy to let yourself go. So as well as making time for exercise, I insist on eating healthily: mostly protein and greens. I always eat breakfast – usually eggs, sometimes with bacon and brown sauce, but no bread and always fresh coffee. I’ll have a salad for lunch and in the evenings, at home, I like to cook fish, lobster, meat and veg. I’m partial to truffle oil and a dollop of crème fraîche. On tour we have a couple of cooks with us. If I do have to grab any junk food I’m filled with self-loathing!

Being French I like a small glass of rose with my lunch, home or away. But there’s no other booze before the gig. The band do enjoy a well-deserved drink while we chat through our post-match analysis. If we’ve had a really good night we might pop a bottle of champagne and then a couple of bottles of red. But nobody needs a hangover, just plenty of sleep. I’ll usually get to bed by 1am wherever I am and fall asleep to Debussy. And I don’t get up until 11 unless I have to be up and on the road early. I know it doesn’t sound very “sex and drugs and rock ’n’ roll” from the guy who was NME’s Stud of The Year in 1977! But still, I hope I’m not your standard septuagenarian.

I was only 21 when I met the other guys from the band. I’d just dropped out of uni when I picked up a hitchhiker near Guildford one night and met his mates, and next thing I was invited to replace him in their band. We all lived hand to mouth above the off licence owned by our drummer, Jet Black. By 1976 we were getting 200 gigs a year in pubs. Jet would collect our 25-quid fee and then treat us to Kentucky Fried Chicken, which I loved back then – though I wouldn’t touch it now. 

I had no fat on me but I wasn’t scraggy. I was a little kid in London in the hungry 1950s, when food was still rationed. But my dad was tall and muscular, from Viking stock, and my mum was tall and beautiful, so I had good genes. So I was already over 6ft at my all-boys grammar school. I played rugby and as I was always getting into fights I’d taken up boxing, so I already had muscles when I discovered a karate club at uni.

As a student I had no idea how to talk to girls. Six years later, when the Stranglers were on stage there for the first time, I was an absolute babe-magnet! There’d be girls queueing up outside my hotel room door. And then top models are all over you and you’re invited to fashion shows and Grace Jones jumps out of a cake for you at a party and famous rock stars’ wives are blatantly chatting you up… It all got so weird. How did I cope? I was like a kid in a candy shop – I just went for it! I’m told I’m still cute, but actually I’m not that bothered about sex anymore. Lower testosterone – it’s a fact of later life.

On this tour we’ll be playing songs from our catalogue of around 200 from 18 albums. We’re playing some of the more obscure ones live for the first time. Back in the day we were trying to be clever and they’re quite complex arrangements and hard to play now. I’m having to get my head – and fingers – round all the notes and regain muscle memory. To be honest, we were off our heads on mind-altering drugs back when we wrote them.

For one whole year, me and some of the other guys decided to take heroin to see if it inspired us creatively. We’d inhale lines of heroin (for a high) mixed with coke (for energy). It did produce a different kind of album! But I was going to bed at dawn and sleeping all day. I was 30 and in a pathetic physical state. As thin as anything, just skin and bones. Dave [Greenfield], our keyboard player, took charge. I went cold turkey, which was grim, and after two or three days I vowed I’d never touch the stuff again. 

What saved me was that I never injected anything. That and karate, which has helped me hold back – though getting injured goes with the territory. I’ve torn cartilage, muscles and tendons, broken bones and had two screws in my leg and done a whole Stranglers tour on crutches. But karate has kept me on an even keel and, as well as keeping me physically fit, it’s a much-needed coping mechanism. A way of life. A philosophy. “Never give up. Persevere. Remain faithful. Respect yourself and others.” I now share this with the students at my Shidokan karate school in London, which I set up more than 30 years ago.

Emotionally, the last six decades have been a real rollercoaster and at times I have struggled with my mental health. At my lowest point I tried to top myself. Our fifth album, [The Gospel According to the] Meninblack, came out in 1981 and went straight to number eight in the charts, but the next week it had disappeared. We were skint. I thought it was all over, so I took myself off to my garage… Luckily I really was a failure! 

Hugh Cornwell, our singer, called me after a gig in 1990 and said he was leaving us. All the band’s assets were then frozen. I had no money. I had to sell my motorcycles to feed my kids. The highs have been getting my pride and the band back on track.

The Stranglers have never been seen as soppy, because we’ve never written love songs. But on our last album, Dark Matters, in 2021, two songs are about love. One [And if You Should See Dave…] for my friend of 45 years, Dave Greenfield, who we lost to Covid. Plus The Lines is about still being able to love yourself when you look in the mirror and have to face up to ageing.

Some of my peers are having Botox and dying their hair. I think they look ridiculous. I just accept the wrinkles and white hairs – as well as a bad back, detached retinas and hearing loss. I’ve yet to write a song about incontinence! 

One thing that I’ve learnt over the years is that you can’t go on stage wasted. If I am tired one morning, that’s a pain, but if it gets so that I wake up every morning knackered, then I’ll think about packing it in. But I have to be doing something. I can’t bear lying around on beaches. I’d still be revving up my motorcycle or hiking with my dog in the mountains. And jamming in a local blues band with a founder member of the Yard Birds. Oh, and enjoying the Telegraph crossword every Saturday! And my little grandkids, aged two and three, who are the real stars now. Don’t tell anyone, but I’m a big softy really.”

The Damned Hammersmith Odeon London 11th October 1982

 

To mark Rat's return to the Damned fold and thus reuniting my personal classic line up of the band here they are on the wonderful 'Strawberries' tour. This is a great sounding show from Hammersmith Odeon. Many thanks to the original uploader.

FLAC: https://we.tl/t-CuUG8GtUHs

Artwork: https://we.tl/t-SAOFZtER5C

I Smell A Rat - Hurrah!!

 

Jean Jacques Burnel 'Strangler In The Light'

 

First and foremost, well done to Coarsegood books for producing such a well presented book. Being something of a bookish type I do appreciate good presentation and this publication has that in abundance. But as they say, 'You can't judge a book by its cover'. Indeed not and this was an initial concern of mine. A long career in the rock 'n' roll business can play havoc with one's powers of recall, something to do with all of the late nights I think! I'll be honest here in that I feared that Mr B's memories of critical creative times for the band i.e. around the time of 'The Raven' and 'Gospel' albums would be somewhat hazy on account of those late nights, but happily this was not so.

I like the fact that the book is structured in terms of themes rather than having a chronological presentation, this breaks up what is ultimately a very well known story for a great many readers. Early in the book, JJ elaborates on his sense of being different. It cannot have have been easy growing up with French heritage 10 years or so after the Second World War. My family have first hand experience of this. My wife is half German and half Latvian. Born in '65 and raised in Coventry, 25 years after Goebbels boasted of the city being 'Coventrated'. The fact that my in-laws dressed her up in a Heidi outfit didn't really help matters. Roll the calendar forward some 30 years and we find ourselves sitting in the Junior School headmasters office as he apologised for the nazi taunts that our kids had been subjected to in the playground. Kids are very cruel, so just like the narrator in Johnny Cash's 'A Boy Named Sue', our JJ had to learn to give it out.

'And he said, "Son, this world is rough

And if a man's gonna make it, he's gotta be tough

I knew I wouldn't be there to help you along

So I give you that name, and I said goodbye

And I knew you'd have to get tough or die

It's that name that helped to make you strong"'

And it seems that there were parallels with Mr Burnel Snr and Sue's old man.... both were good in a fight as indeed was Grand-père Burnel too! Forget the Biffa Bacon family of Newcastle, enter the Biffa Burnels of Normandy!

Some chapters filled in gaps in my knowledge, for example a more detailed exploration of JJ's life long commitment to martial arts and the strength (mental) and discipline it has given him over the last five decades. For the bikers out there he spends time on his passion for motorbikes, no so interesting for me, unsteady as I am on a push bike. However, his involvement with Shidokan and bikes are two elements that alongside music maketh the man, so the detail needs to be in there.

What I did particularly enjoy were the conversations covering his like in music outside of The Stranglers. From 'Euroman Cometh' through to the Gankutsuou soundtrack material, there is a diversity there that shows that creatively, he is much more than a hooligan bass player! A particular favourite of mine is 'Un Jour Partfait', which perhaps I have Hugh and his waning interest in the 'other' band to thank for as JJ had to seek other creative avenues for his musical creativity. Interesting that this French only release was not well received in the Mother country. Also of interest is the time he spent supporting, promoting and producing young European bands, Taxi Girl and Polyphonic Size in particular (see the previous post where Taxi Girl's 'Seppuku' demos are shared).

Perhaps one area that has not been the subject of quite so much Stranglers' lore concerns the relationships and dynamics of the band over its near 50 year existence. This part of the book is saved for the last chapter entitled 'Membership'. Obviously, Hugh's departure is right out there in front. The fact that these two surviving original Stranglers only interact by sniping periodically in press interviews continues to sadden me. But, these two men have 140 years plus life experience between them so if the issue hasn't been resolved by now I guess it never will be. I suppose that elements of those personality  traits that made them difficult and defiant individuals when the band started out still come into play 33 years after Hugh walked away.

The story of Paul's time with the band pretty much correlates with my view of Hugh's replacement. An affable and able vocalist but one who was never really Stranglers' material. After 16 years in the fold, Paul's commitment seems to have evaporated at a time when the band had been at their lowest career ebb (at the time of Paul's departure, half of 'Norfolk Coast', the return to form album, was done, so whether the band fully knew it or not, recovery was just around the corner). Of course I was not party to what went on, but I can well imagine that with Baz Warne now in the band (in place of Paul's ally John Ellis) and JJ's and Baz's developing musical partnership, Paul Robert's felt increasingly marginalised and jumped. As for John Ellis, well it is enough to say that I doubt whether he will be reading the book any time soon. 

But what of Jet and Dave? JJ talks of a couple of rows that he had with Jet towards the end of the big man's tenure on the drum stool. JJ lost it a couple of times when Jet messed up or played too slow. I think I saw one of these outbursts at a soundcheck in Dunfermline.

When JJ talks of Dave it is clear that there was a very special bond between the two men, also apparent when the former performs 'And If You Should See Dave'. I did not realise that his health problems were as serious as they were. I knew that he had COPD and that his love of a drink occasionally made for some interesting and quirky keyboard moments. I was also aware that he had been told to reign it in before gigs and that did make a difference, but I did not know the difficulties that he was in (and of course why should I!). Either way, for many, including me, he was the sound of The Stranglers, the piece of the puzzle that set them apart and afforded them the great success that they enjoyed.

So then, a great book that offers something new even to the most knowledgeable members of the fan base. Thank you JJ! 

Taxi Girl Seppuku Demo Versions 1981

 

So I am a few pages shy of finishing JJ's book and read the chapter where he took it upon himself to be a champion, promoter and producer of French bands and French music. This lead me to dig out The Rat Zone presentation of the Seppuku demos from 1981.

m4a: https://we.tl/t-hEBdMPLz5n