Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Sunday, 24 November 2024

Ever Get the Feeling You've Been Cheated? Nah Not Really

 

Well last week I bit the bullet and bought Gunta and I a ticket to see The Stranglers and The Pistols in Margate. The Glasgow billing is more attractive but the cost of travel and accommodation meant that Margate (being drivable) made more sense.

These two punk all dayers I guess have in part been inspired by similar short festivals that have cropped up in California in the last few years, here I am thinking ‘Punk Rock Bowling’ and the ‘Cruel World’ Festival. I am also guessing that other than the format, the similarities may be few and far between. Imagine a festival taking place under the heat of the Californian sun and compare that to the possibility of standing in the shadow of funfair rides as the rain of an English summer falls and dilutes your £8 pint of Harp lager! Or an I just being a curmudgeonly old Englishman here!?

I went to Margate once in 2011 to see The Specials. It was terribly run down. The hotel that we stayed in made Fawlty Towers appear modern. I remember the walls of the communal areas being adorned with photographs of the hosts of ‘Cash In The Attic’, ‘Flog It’ and a host of other daytime TV programmes that must have been filmed in the town one week. However, I am led to believe that Margate has had something of a revival in its fortunes. As the popularity of a number of resort towns, most notably Brighton, have increased, property prices have soared, pricing many out of the market. Those still wishing a regular dose of sea air have sought out the likes of Margate and Folkestone as alternatives and these places are starting to prosper more.

I am looking forward to seeing The Pistols. I kind of regret not chasing down a ticket to see them in the summer (but then I was stuck in a hospital bed in July and August and a bit wobbly in the legs in September) since the comments that I heard from mates who had seen them around the UK were all very positive.

Inevitably, such a billing has generated a lot of comment and opinion. I saw one comment on a Stranglers Facebook page that implied that it was not right that The Stranglers were supporting ‘a second hand Sex Pistols’. Interesting. I don’t know if that particular poster visits this site, if so I would just say that I am not angling for an argument here, but I cannot agree. I nailed my colours firmly to the Stranglers’ mast many years ago but I also appreciate the Pistols, but gigwise, the numbers speak for themselves… The Stranglers (+ Hugh, Helmets etc): 300+, Sex Pistols: 1. Nevertheless, is the current Pistols set up ‘secondhand’ by virtue of the fact that Lydon is missing?…. At the end of the day there are three original Pistols in the line up compared with one original Strangler, but that is kind of irrelevant. The important fact is that the name Sex Pistols reverberates ten times more than that of The Stranglers. To my mind it is incontrovertible that without the Pistols, what we know as British punk would have been very different, if indeed it would have existed (as a scene/style whatever) at all.

I can think of no other band at all that instantly changed audience members lives, propelled them to start bands etc. It wasn’t that they were any kind of masters of their instruments but nobody else had such attitude. What musical path would The Stranglers have followed were it not for the cleansing fire that the Sex Pistols ignited in London. Perhaps the Pub Rock scene would have survived for a few more years and The Stranglers, well maybe they would have turned out like The Motors or something like that, competent and melodic… but nothing like what actually transpired. Without a London scene coalescing around the Sex Pistols, music in the UK would not have taken the course that it did, the record companies would not have been clamoring to sign any band that claimed any kind of allegiance with punk rock, bands that under another circumstances would not have has a cat’s chance in hell of getting a recording contract.

Now look, I wasn’t there in the summer of ’76… I was 7 and I was more interested in playing three and in than gobbing or pogoing, but I think that I am sufficiently versed in the history of punk to say with absolute conviction that, like them or loathe them, be that one of them or even all four of them, as music fans we all owe a huge debt to that band. 

As for those who say that they will leave after The Stranglers have played (Pidge being but one!) I would say give an hour of your time to three musicians who changed the face of music for 15 years or more.

This has been a Party Political Broadcast on behalf of the Sex Pistols.




Monday, 18 November 2024

Summer Punk All Dayers

 

Well it's no surprise that the three talking Pistols would get some further milage out the recent set up with Frank Carter, but the the appearance of The Stranglers on the bill did surprise me. I am assuming that the Margate gig will get an expanded bill along the lines of the gig in Glasgow. Who's your money on then? I'll put a fiver on it not being PiL! I'll get shot down but 999 would go down a treat! 

Talking of Johnny, I was also surprised to see the bill for SLF's next Belfast shindig, featuring PiL on the same bill as Sham 69. I thought that Johnny and Jimmy harboured a particular animosity towards each other. I do remember fisticuffs between the two at an airport or something... a story that made page 20 of The Sun! I assume this bad feeling stems back to the Sham Pistols thing that was momentarily the big story for the music press in '79.




Ist Ist Luxor Cologne 5th November 2024

 

Here's another one from my flavour of the month, or more accurately, the year, Ist Ist. This recording sees the band playing once again in Germany, the Luxor Club in Cologne, on the European leg of their 'Light A Bigger Fire' tour. I'm looking forward to seeing them again before too long. Many thanks to Peter for the share. Cheers!

FLAC: https://we.tl/t-Wjwlr6jRtj

Artwork: https://we.tl/t-C6Epk8qXqO



Sunday, 17 November 2024

Hugh Cornwell The Swan High Wycombe 26th March 2003

 

Here's a bit of Cornwell for a Sunday morning. An old but interesting acoustic set from Hugh. I have never been to The Swan, ot High Wycombe for that matter, so I cannot say anything about the venue other than that on this occasion it doesn't sound as though it is particularly full. That is a shame, because as I mentioned, both sets are good for different reasons.

When a band plays, do you ever wonder when they play a particular track whether you will ever hear that live again? It happens particularly on the release of a new album, when an artist, understandably, is keen to air their latest creation, but the following year it is gone, never to return. Look at this 2003 solo set and there are quite a few songs that you are never likely to hear again (especially now that Hugh seems to be more band orientated... so certain songs would be a mismatch wit the current set up). Songs like 'Henry Moore' and 'The Story of Harry Power' for example. Hearing the latter inspired me to track down Peter Carey's 'The True History of the Kelly Gang' which details Harry's life, this was in much the same way that The Stranglers got me reading around topics such as the Russian Revolution and the Spanish Civil war. Punk provided an education in many ways!

As for The Stranglers set, great to hear 'Sweden', 'Straighten Out' and 'Don't Bring Harry' (in the hands of Hugh rather than JJ)!

On the subject of earlyish Hugh material. Does anyone have a lossless version of his gig in Redhill a couple of weeks prior to this one (11th March 2003)? I have it but the second disc will not play. I mentioned it some years ago, but back then I was using adhesive CD labels which have years later rendered quite a few discs unplayable. 

FLAC: https://we.tl/t-ipQddKWSIj

Artwork: https://we.tl/t-2cu82qJnVx



Saturday, 16 November 2024

Buzzcocks BBC Radio 5 11th June 1991

 

I suprised myself today when I realised that at no time in this site's lifetime have I posted this brilliant session. Having got over the nostalgia bit of their 1989 reunion tour of the UK and the US, it was back down to the age old rock 'n' roll business of making records. The new material from the band had a tricky birth. In 1991 an album was near completed in terms of demos when the decision was made to scrap it. The album was quite hot property for some years... it is available now having seen a release a few years back. I do not know what the band's gripe was with it, it had some really good material on it, some of which saw the light of day whilst some of it was sunk, until the recent release. The three new tracks 'Alive Tonight', 'Last To Know' and 'Who Will Help Me To Forget?' played in this session featured on that aborted 1991 album, but did also see an official release at the time as a single along with the track 'Successful Street'.

According to Pete, this Radio 5 session was the first live session that the band had ever done, all of the numerous others that the band had done over their career to date having been pre-recorded.

This is one of two Buzzcocks' BBC sessions I have that were for some reason omtted from the 1998 'BBC Sessions' CD release or the excellent 'Late For The Train (Live And In Session 1989 - 2016)' box set of 2021.

For the record, the album that did see the light of day in 1993 in the form of 'Trade Test Tramsmissions' was just fantastic. For me it is the best 'comeback' album by any band!

FLAC: https://we.tl/t-MF1rp3XWM6

Artwork: https://we.tl/t-jo0dSiZc2E



Monday, 11 November 2024

Stiff Little Fingers Brixton Academy 1st October 1988

 

Here's a blast from the past, mine at least. This gig happened in my first week at Brunel University. It was Freshers Week, Saturday night and I can't remember which bands were marking the event on campus. It didn't matter though as I has a ticket for SLF that night.

This was intended be the last ever SLF gig, Jake refers to the fact early on as does he mention Radio 1, the reason why the band were calling it a day for a second time. Jake had got a job with Dave Lee Travis, on the other side of the glass to the studio. It didn't last long and the band were soon in action once more. Listening through this recording this evening made me feel my age though. There are references to Margaret Thatcher, then in power for 11 years and towards the end of the gig Jake thanks the crowd for the loyal support given to the band over the last 10 years... what are we now 47 years in!!

FLAC: https://we.tl/t-eTXq8SYBfk

Artwork: https://we.tl/t-4PIQHtX11D



Sunday, 10 November 2024

Demise of Bootlegs Continued

Just wanted to say a thanks for the responses on my lament about the decline of sites that are sharing unofficial live material amongst fans. One thing that I forgot to mention earlier is that the existance of sites such as this serve as one in the eye for those who seek to make a tidy profit by selling such recordings on sites such as eBay. 40 years ago, paying for a bootleg from a seller in Camden was a little different. For a start most people did not have the wherewithall to produce anything like that. These days, good quality recordings are in circulation from fans, to and for fans... with no money changing hands, just an enthusiasm for the material!

If anyone out there has files that they are willing to share, please let me know. I am looking to update the list of gigs that I have (it has been poorly maintained for a few years!) but even now there are some sizable gaps in the record. Please have a look and help if you can. If you can oblige, lossless format (FLAC) is preferable. I appreciate the help. Cheers!