Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Monday, 15 July 2024

Newtown Neurotics, Mark Thomas and Attila The Stockbroker Dublin Castle Camden 14th July 2024 - A Review

 


This gig appeared on the radar late, but it had to be done. Three separate acts that I have been seeing for 36 years (Mark Thomas) to 39 years (Attila and the Neurotics). What these people did and said had a big hand in shaping my political views and here they were together just two weeks after the Neurotics' battle cry of 'Kick Out The Tories' had been realised. Better still this was an afternoon gig that would be done and dusted by six giving ample time to get back home for the inevitable viewing discomfort of an England Euros final game against Spain, undoubtedly the best team in the tournament!... Spain that is.


Like a slow residency, these Attila compared gigs have been occurring for some time now, every quarter if I recall correctly. Attila is nothing if not prolific, you do not get a greatest hits, dredging up 40 plus year old material from 'Ranting At The Nation', well perhaps one or two, but most of the material is bang up to date, 'Farageland' being an example, a commentary on the opinions of the odious politician set to the rhythm of The Clash's 'Garageland'. Importantly, Attila's newer material is sometimes very personal and intimate (biologically) as he candidly details the trials and tribulations faced by his knob during treatment of bladder cancer... important because talking about male health in such a way may just save someone down the line.

The first of the two full acts of the afternoon comes from comedian and activist, Mark Thomas. I saw Mark just a few weeks ago in Bishops Stortford. His show then was uncompromising, but here today, playing to an appreciative audience of like minded people he was in his element, hammering his points home in a vicious but hilarious manner (Sunak with hammer did feature in his set!). Hard to believe but Mark Thomas in full flow makes Jonathan Pie come across as laid back!


After a short interval, in which people either went to the main bar for beer or checked the screens in the pub to get the latest progress of the Men's Wimbledon Singles final which was then under way, and a couple more poems from Attila and it was time for the Newtown Neurotics.

Unusually, they kicked off proceedings 'Living With Unemployment' more often as not one of the songs that close the band's set. 'The Mess' followed, a tragic tale that shouts about the importance of education from the rooftops. Next up were a volley of songs that go back to the Neurotics' year zero with 'Fools', 'Hypocrite' and 'When The Oil Runs Out'.

'Fools'
Dublin Castle 14th July 2024.

A sure fire highlight of the set was a rendition of the classic 'This Fragile Life', a deeply poignant and horrifyingly still relevant song that stems from Steve's observation in the early 1980's of an elderly resident of the Potter Street area of Harlow who succumbed to hypothermia, alone at home in winter in front of an empty grate. Steve added to the on going relevance of the song with reference to his age. The message is clear, we will all (hopefully) grow old and the hardships of a life in later years lived in poverty is the reality for millions.... unless we as a nation address the inequalities that lead to poverty in the 2000's.

Late set included two songs from the 'new' album 'Cognitive Dissidents', 'Climate Emergency' and a new challenge to the far right in the form of 'Stand With You'. 




For the finale, of course it could only be 'Kick Out The Tories'. Here the set list got it right, stating 'We've Kicked Out The Tories'.

I filmed it, but I think that this version may have a couple of glitches.

'Kick Out The Tories'
Dublin Castle 14th July 2024.

So here too is the video for the recent revamped version of the track.



I always leave a Neurotics gig uplifted. At times when it seems that everyone is out for themselves, to be in a hall in the company of other pissed off but positive people is a tonic.... unlike the football that followed... next time eh!



Saturday, 13 July 2024

Newtown Neurotics, Mark Thomas and Attila The Stockbroker Dublin Castle Camden 14th July 2024

 


The perfect warm up for a big footballing night. If it all goes tits up on the pitch at least I will have enjoyed an uplifting post election afternoon in great, like-minded company!

Ruts DC Walthamstow Trades Hall 9th July 2024

 


First of this is not a review as such. Since the band are about 1/3 of the way through the ElectrAcoustic 3 tour there will be no spoilers here, just some general impressions and comments.

This was a pretty local gig for me, just a short hop by train from work in Harlow to Tottenham Hale and then two stops on the northbound Victoria line... the venue was close to Walthamstow Central tube station to boot. It has been many years since I have been to Walthamstow so I was unfamiliar with the area. However, the Trades Hall was easy to spot. Looking at the exterior of the venue you could be forgiven for thinking that it was a location for an episode of The Sweeney, but outward appearances can be very misleading. Having located the venue, I continued along the road to The Bell and settled in for an early evening pint with my kindle (for those interested current reading is 'Hurrah for the Blackshirts...Fascists and Fascism in Britain Between the Wars by Martin Pugh. Not a light read with too many scary parallels with the present situation in the UK). 

It has become a habit when seeing Ruts DC to meet with Leigh for a pre-gig pint, so after a while a message came though along the lines of 'Get down to the venue, it's great'. I duly retraced my steps, and entered the venue. In contrast to the dated exterior, the interior was bright and almost cozy. Ruffy was at the bar and Leigh was seemingly closing a deal on the phone. At the bar I ordered a pint of Red Stripe (had to be done... it was absolutely in keeping with the advertised 'DJ playlist curated by Ruts DC'... a fine selection of early ska and Blue Beat tunes). The price (even at a non-members rate (I was honest when asked by the barman whether I was a member or not!) was far preferable to the price down the road!).

As advertised, the gig is split into two sets separated by a 30 minute interval. Since this is the third album in the 'ElectrAcoustic' series of albums, the band have been forced to venture into some uncharted water as far as older material is concerned. No 'Fanatical Fascists' but there are certainly some surprises in the set. I think that it is reasonable to state that there is one new song in the set, 'Bound By Blood' if I recall correctly and rather good it is too. 

So that is all that I will say about the content of the sets. I would say that once again the intimate and relaxed atmosphere that accompanies these acoustic shows gives the band's chirpy South London rhythm section free rein to offer some great anecdotes when it comes to the early days of The Ruts... an opportunity that is rather lost when they play a fully electric set. 

For those that shudder at the idea of an acoustic gig, as the 'ElectrAcoustic' label would suggest there is throughout electicity and amplification involved to the extent that I was singing/bellowing along in my tuneless way in the second set in much the same way that I would with any electric Ruts DC gig.

A fantastic night out all round... can't wait for the 100 Club.

Sunday, 7 July 2024

Adam Ant Matthew Ashman Tribute Gig The Scala London 21st November 2010

 


On the 15th anniversary of his death, the Scala in London hosted a tribute night in memory of former Ants and Bow Wow Wow guitarist, Matthew Ashman. Featuring an array of former musical collaborators (see flyer below) the night must have been a good one!


Here's Adam's set from the night.

FLAC: https://we.tl/t-iukzuLeRmz

Artwork: https://we.tl/t-GjnYqa1KMl




Saturday, 6 July 2024

Adam And The Ants Circles Club Swansea 30th July 1979 (TFTLTYTD#10)

 


Adam & The Ants (or Antz) may not so readily be associated with the first wave of the punk bands of the London scene, coming into prominence a little later, but they were for sure well connected within the scene from very early on. Adam played bass in Bazooka Joe when the Pistols played their first gig as support, he was also on the Thames boat with Jordan, who also managed an early incarnation of the Ants and performed on stage with them. Gig-wise, the band supported Siouxsie & the Banshees as well as X-Ray Spex. Not a band punk CV with which to enter 1978. 


The Ants went through several line up changes before pining down a band that would record the first single 'Young Parisians' and the debut album, the formidable 'Dirk Wears White Sox'. The recording band included a talented guitarist by the name of Matthew Ashman.


 The 'Dirk' album stands apart from much of what passed as punk (or perhaps that should be post-punk given its release date of November 1979). Ashman's distinctive playing style was very much a part of this... angular and quirky!

Adam's engagement of Malcolm McLaren with a view of shaping the band for a breakthrough was a watershed for both Adam Ant and Matthew Ashman, as the wily clothier persuaded the latter along with Leigh Gorman and Dave Barbarossa to form a band that became Bow Wow Wow. Ultimately, this fracture was to prove beneficial for all of the musicians involved as Adam soon went on to huge success in mainstream pop and Bow Wow Wow, fronted by Annabella Lwin, also had a significant chart presence in the early part of the 1980s.

Ashman's latter musical career retained a connection with Adam & The Ants as after the demise of Bow Wow Wow, he formed the Chiefs of Relief with Gorman and Barbarossa (essentially Bow Wow Wow without Annabella). After a break from music Matthew returned, first in Max, a band formed by Kevin Mooney (Ants' bass player during the 'Kings of the Wild Frontier' period), before performing in his last band 'Agent Provocateur'.

Ashman died at the age of just 35 on 21st November 1995 from complications with his diabetic condition.

Here is a recording from the Zerox tour. I think that this was sent to me by Sewer Rat, so many thanks for the share. It's quite a good sounding recording when age and the nature of the venue are considered.

MP3 (as received): https://we.tl/t-E4zOFZP5FD