Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Sunday, 31 May 2020

Adam And The Ants The Factory Manchester 21st July 1979


This is the best  sounding recording that I have heard of the early Ants. The first four tracks are very muddy, but something happens at the point where they launch into 'Family of Noise' and the sound quality improves ten-fold to give the listener a near perfect recording from the Zerox tour.

WAV: https://we.tl/t-2RLQKSmDxr

Artwork: https://we.tl/t-VHi8nt2AXo




01. Cartrouble
02. Animals And Men
03. Nine Plan Failed
04. The Day I Met God
05. Family Of Noise
06. Cleopatra
07. Never Trust A Man (With Egg On His Face)
08. The Idea
09. Digital Tenderness
10. Tabletalk
11. Catholic Day
12. Kick
13. Zerox
14. Red Scab
15. Lady
16. Hamstead
17. Press Darlings


Thursday, 28 May 2020

Adam And The Ants Brighton Centre 28th December 1981


I was three months shy of my 13th birthday when Adam and the Ants came back to Brighton. Actually, I was offered a ticket to see The Police two weeks before, they were currently embarked on their 'Ghost In The Machine' tour. It would have been good, I had most of their singles and I liked them, but my sights were fixed on the Ants in that last week of December. My uncle, at that time a taxi driver in Brighton, sacrificed a few fares in order to queue in line for tickets on the day the box office opened for sale (these were of course the days where you had to go to the venue in advance to get physical tickets!). He was successful and on the evening of 28th December, myself and two school mates excitedly prepared ourselves for our first proper gig.

I well recall the 'Ant Disco' pumped out over the PA to warm the audience up, the choices of the band members..... Roxy Music's 'Pyjamarama' and 'Virginia Plain', along with the Pistol's 'Anarchy in the UK' etc etc. The support act were some manner of dance troupe that were frankly lost on us three, we were only interested in the main event!

This recording of the first night in Brighton on the 28th is not as clear as the Birmingham Odeon recording I posted the other day, but it is a full set recording. That set drew heavily on the 'Kings' album and 'Prince Charming' of course. For some reason, 'Dirk Wears White Sox' was seriously under represented on this tour with the exception of 'Cartrouble'. This was a big disappointment for me, since whilst 'Kings of the Wild Frontier' was, and indeed continues to be, a great album, 'Dirk' for me was the one. As for 'Prince Charming', can anyone really stand up and claim, hand on heart, that it is a great album?

Inclusions and omissions in this set, now looking back at it from a distance of almost 40 years, come as a great surprise. What was the rationale for excluding 'Stand and Deliver' from the set, arguably the best known of the band's hits. All the more baffling when the throwaway pantomime piece 'Ant Rap' was played not once but twice (presumably by virtue of the fact that it was at the time the current latest single from the band, and, unbeknown to most, their last). A.N.T.S. also got in there, a 'Flexipop' magazine freebie of little merit.

Since 1980, Adam had seen fit to put out B-sides of re-recorded songs that harked back to the unsigned early Ants and this represented some of their best material for me. 'Christian D'ior' and 'Physical' were great in that respect but there could have been more for an already discerning and critical 12 year old!

FLAC: https://we.tl/t-p378tIiGmD

Artwork: https://we.tl/t-fCKlSNfKsS

01. The Magnificent Five
02. Picasso Visita El Planeta De Los Simios
03. Five Guns West
04. That Voodoo
05. S.E.X.
06. Scorpios
07. Antmusic
08. Don't Be Square (Be There)
09. Ant Rap
10. Prince Charming
11. The Human Beings

01. Ants Invasion
02. Killer In The Home
03. Dog Eat Dog
04. Jolly Roger
05. Los Rancheros
06. Cartrouble
07. Christian D'or
08. A.N.T.S.
09. Kings Of The Wild Frontier
10. Ant Rap (Reprise)
11. Physical (You're So)

Wednesday, 27 May 2020

20 From '82 (7) The Clash Sun Plaza Hall Tokyo 1 February, 1982


Here is a much circulated recording from The Clash on tour in Japan in February 1982. Originally circulating as the 'White Riot' bootleg LP in the 1980's, this version has been cleaned up and sounds pretty good to my ears. I do not subscribe to 'the only band that mattered' philosophy that surrounds The Clash. But I will admit that they were a great bang among many. Cheers to Dom P!

FLAC: https://we.tl/t-9bqhmxoX0f

01. London Calling
02. Safe European Home
03. (White Man) In Hammersmith Palais
04. Brand New Cadillac
05. Charlie Don't Surf
06. Clampdown
07. This Is Radio Clash
08. Armagideon Time
09. Jimmy Jazz
10 Tommy Gun
11. Fujiyama Mama (Pearl Harbour introduced by Topper)
12. Police On My Back
13. White Riot

Monday, 25 May 2020

20 From '82 (6) Adam And The Ants Birmingham Odeon 18th Janurary 1982


As I have mentioned on numerous occasions since establishing this site, Adam And the Ants was my first gig in December 1981. For sure they were no longer at their best, the real danger in the band had been replaced by pantomime dramatics by the time of 'The Prince Charming Review'. That said I was 12 years old and it was a proper gig... and even then my highlights of the show were 'Physical' and 'Cartrouble', missing here in Birmingham but played in Brighton.


I was recently sent this gig from the tour and it is great quality, well worthy of a listen.

MP3 (as received): Recording appears to be a rip of the Drury Lane video release and as officially released material I have removed it from the site. Sorry about that.

01. Picasso Visita El Planeta De Los Simios
02. Five Guns West
03. That Voodoo
04. S.E.X.
05. Scorpios
06. Antmusic
07. Don't Be Square (Be There)
08. Prince Charming
09. The Human Beings
10. Ants Invasion
11. Killer in the Home
12. Mowhok
13. Dog Eat Dog
14. Jolly Roger
15. Los Rancheros
16. Christian D'or
17. Kings of the Wild Frontier
18. Ant Rap
19. Physical (You're So)

Saturday, 23 May 2020

Country Club Reseda California 8th May 1983


What a wonderful surprise to momentarily lift this everlasting lockdown endurance challenge that we are all doing our level best to deal with. A hitherto 'lost' recording from the US Feline dates! Great sounding with Hugh on top form in terms of audience engagement with his piss taking of the Los Angeles punk scene of the privileged! Dave also gets a nice mention just prior to the opening to Nubiles. Thanks a million to the original Dime poster!

Enjoy!

FLAC: https://we.tl/t-gZHjuVNgH4

Artwork: https://we.tl/t-5ptLrBpwsi

01. Intro
02. Nuclear Device
03. Toiler On The Sea
04. Ships That Pass In The Night
05. It’s A Small World
06. Just Like Nothing On Earth
07. Who Wants The World?
08. Never Say Goodbye
09. Baroque Bordello
10. Golden Brown
11. Midnight Summer Dream
12. The European Female
13. Tramp
14. The Raven
15. No More Heroes
16. London Lady
17. Talk
18. Bring On The Nubiles

Debbie Harry's Tiger Bomb Beacon Theatre New York 16th December 1987


Tiger Bomb as I understand was musical project with the aim of raising money for worthy causes. In 1987, New York was in the grip of the AIDS/HIV crisis and this short gig held at the Beacon Theatre in December 1987 was aimed at fund raising for treatment programmes.

Debbie picked an eclectic set for the evening, opening with The Damned's 'New Rose', before running through 'Danger' from The Selecter, 'Liar Liar', by '69's garage outfit, The Castaways and 'Institutionalised' by Suicidal Tendancies!

Squeezing in a couple of songs by a little known group by the name of Blondie, the set closed with a trio of Ramones' songs with which she was ably assisted by her friend Joey!

Would I liked to have been at that one!

Here's how the New York Times reported on the gig on 19th December 1987:

'Debbie Harry and Chris Stein, the singer and guitarist who were the creative heart of Blondie, have not been seen much since that band's breakup in the early 1980's. Miss Harry made a recent solo album that included a modest songwriting contribution from Mr. Stein, but there were no live performances. The rest of Blondie, which was the most commercially successful band to emerge from New York's late-70's punk-rock subculture, has scattered since the breakup.

Wednesday night at the Beacon Theater, Debbie Harry's Tiger Bomb, with Mr. Stein on guitar, made its debut as part of a benefit concert for the AIDS Treatment Project. There were other impressive performances. William S. Burroughs gave a sharp, wry reading. Philip Glass contributed a piano solo. Laurie Anderson put in an appearance. John Giorno, whose Giorno Poetry Systems organized the benefit, opened the evening declaiming over the tight, urgent snarl of his electric band. But Tiger Bomb was the evening's hit.

Miss Harry paid homage to Blondie's roots in punk rock and in older forms of New York rock-and-roll through her choice of material. She followed ''Liar, Liar,'' a pop-rock oldie, with a song originally recorded by the band Suicidal Tendencies. Blondie's hit, ''Rapture,'' preceded a song by the Fast. Miss Harry sang everything splendidly, her voice sounding rich and full, backed by an intense, storming quartet. Mr. Stein was in terrific form, playing slashing, incisive guitar, while Tommy Price kicked the music along with his drums. At the end of the set, Miss Harry brought out Joey Ramone for some gritty vocal duets.

The performance was a delightful reminder that Miss Harry's absence from performing has been depriving us of a major talent. And the hard, stripped-down sound of the band, which seemed to be the perfect setting for her distinctive vocals, was a reminder that whatever its commercial aspirations and successes, Blondie belonged to the New York punk-rock tradition. One can only hope the performance will prove to be the first of many and that Miss Harry and Mr. Stein will someday make records as raw and energizing as the live sounds of Tiger Bomb.'

FLAC: https://we.tl/t-S7T65XgqxJ

Artwork: https://we.tl/t-t5c6oMabKt


01.  John Waters Intro
02.  New Rose
03.  Danger
04.  Liar Liar
05.  Institutionalized
06.  In The Flesh
07.  Rapture
08.  Comic Books
09.  The Attack Of The Giant Ants
10.  Go Lil' Camaro Go
11.  Loudmouth
12.  Havana Affair
13.  John Waters Equipment Change Announcement

20 From '82 (5) The Cure Hugenottenhalle Neu Isenburg 21st May 1982



Here is an excellent soundboard recording of The Cure in Germany in May 1982, on the European leg of the 'Pornography' tour. I appreciate their importance, but if I am honest they do not shake my foundations, although some of their singles are brilliant. I took my daughter Mo to see them in Munich a few years ago. She loved it.....



FLAC: https://we.tl/t-Q19ARKibTt


01. The Figurehead
02. M
03. The Drowning Man
04. A Short Term Effect
05. Cold
06. Charlotte Sometimes
07. At Night
08. Three Imaginary Boys
09. Primary
10. Siamese Twins
11. Splintered In Her Head
12. One Hundred Years
13. Pornography
14. The Hanging Garden
15. 10:15 Saturday Night