Jet Black 1978 Inked

 

'Communion's got a lot of grace

It's got style and bread and wine

But they're not mine!

You know what I like!'

Jet Black (The Stranglers)

15cm x 20cm linoprint

Black ink on cream card.

Jet Black Inked

 

Not a fantastic muriel (sic) as can be seen in Cheltenham and much smaller....

Jet Black (The Stranglers)

15cm x 20cm

Linoprint in black ink on cream card.

'Communion's got a lot of grace

It's got style and bread and wine

But they're not mine!

You know what I like!'

Jet Black Obituary The Guardian 12th December 2022

Founding member and drummer of the Stranglers who set up the group after a business career in home-brewing and ice-cream.

The Stranglers rose to prominence alongside the mid-1970s punk movement without ever being part of it, being a little older and more musically seasoned than bands such as Clash or the Sex Pistols.

Pivotal to the Stranglers’ development was their drummer and founder member, Jet Black, who has died aged 84 of respiratory problems. As well as being a musician who had grown up with jazz rather than rock’n’roll, Black was also a successful entrepreneur who had built his own home-brewing empire and enjoyed a lucrative career in the ice-cream trade. He later also managed to invent the patented Jet Black Power Bass Drum Pedal, allowing the drum to be played remotely.

In 1977 the Stranglers achieved immediate success with their debut album, Rattus Norvegicus, which reached No 4 on the UK album chart and delivered the Top 10 hit Peaches. Despite Peaches’ provocatively sneering, sexist lyrics, it became an enduring favourite, frequently used in TV shows, movies and video game soundtracks. Black’s jazz background had given him a level of expertise and flexibility that enabled the band to stretch out experimentally, as with their improvisatory revamp of the Dionne Warwick hit Walk On By or the prog-rock perambulations of Genetix.

Their most successful single, Golden Brown (1982), was conceived by Black and the keyboards player Dave Greenfield, and featured a quasi-baroque harpsichord part as well as a distinctively stuttering time signature. “It all took place in about 30 minutes, so it was very unusual,” said Black. The song reached No 2 on the UK chart, despite their then-record company EMI’s apathetic promotion of it. They belatedly sent the band a case of champagne after it zoomed up the charts.

Black played on all the Stranglers’ albums up to Giants (2012), and expressed a particular fondness for The Gospel According to the Meninblack (1981), the band’s enigmatic concept album about alien invasions, among other things. The recording sessions were fraught with problems and pitfalls. “It seemed that we’d touched something very occult with that album, and the day we finished it all the problems ended,” said Black. “We feel it’s stood the test of time and a lot of people think it’s our most interesting work.”

Black was born Brian Duffy in Ilford, Essex. His father, who had come to Britain from Ireland as a young man, was a headteacher who later became a private tutor, and his mother was a milliner. He recalled that “my mother was non-musical and my father, I think, actually hated music”, yet he found himself having piano lessons at the age of five. However, he displayed little aptitude for the instrument, and his musical progress lay dormant until he was sent to the Holy Cross Residential Open Air school in Broadstairs, aged 10. He suffered from asthma, and it was felt that the sea air of the Kent coast would be beneficial.

He described his time as a boarder at the school as the happiest time of his childhood, since it was an escape from the “domestic warfare” of his parents’ unhappy marriage. It was there that he also discovered an unsuspected gift for playing the violin – “within a short time I was the best in the school” – but when he left the lack of support at home deterred him from pursuing his violin studies.

Later, however, a visit to an Essex jazz club fired his interest in jazz drumming, and he formed a band with a group of fellow enthusiasts. As he pointed out, he grew up before rock’n’roll had been invented, and his idols were jazz players such as the drummer Buddy Rich. Unable to afford a drumkit, he initially had a go at playing the clarinet, but ended up behind the drums after stepping in to replace the band’s original lacklustre sticksman. Once he secured an apprenticeship as a cabinet-maker in London he was able to buy the drumkit.

The band performed regular gigs and cut a four-track EP under the name of the Omega Dance Orchestra. Black then branched out on his own as a semi-professional musician, playing regularly until his seven-year apprenticeship came to an end. Deciding against trying to become a full-time musician, he worked at a series of temporary jobs before getting involved in the ice-cream business. Initially he drove an ice-cream van, and was then offered a job as a depot manager in Guildford, Surrey, responsible, among other things, for organising ice-cream supplies to events such as the Farnborough airshow and Royal Ascot. He recalled how, in that period, he informally played drums at house parties thrown by Barbara Andrews, a veteran pianist and music-hall entertainer who was the mother of superstar Julie Andrews.

Black then then diversified further by pursuing an interest in brewing his own beer, and made a deal with a brewery to acquire a large building in Guildford with an off licence, The Jackpot, on the ground floor. He renovated the premises and installed his own brewing equipment, and was soon reaping rapidly escalating profits, developing a successful international wholesaling operation. However, his fixation on his businesses caused the collapse of his first marriage. After a bout of self-examination, he concluded that “I ought to be back in music! Music is where I belonged.”

After a period of experimenting and auditioning musicians, he met the guitarist and vocalist Hugh Cornwell, who had been in the Anglo-Swedish band Johnny Sox, and they were joined by bass player (and classically trained guitar player) Jean-Jacques Burnel as well as the keyboards player Hans Wärmling (also from Johnny Sox). In 1974 they named themselves the Guildford Stranglers – of various nicknames they took, Jet Black stuck – and played middle-of-the road pop, travelling to gigs in one of Black’s ice-cream vans. Wärmling was unhappy with the musical direction and quit the following year, to be replaced by Greenfield, establishing the classic Stranglers lineup.

Black stopped performing live with the Stranglers in 2015, having suffered various chest problems as well as an episode of atrial fibrillation (heart arrhythmia). He died at his home in Wales.

He is survived by his wife, Ava Rave, and their children, Charlotte and Anthony.

 Jet Black (Brian John Duffy), musician and businessman, born 26 August 1938; died 6 December 2022.

Adam Sweeting.

Jet Black 1938 - 2022

 

Early evening my Facebook newsfeed went into overdrive for all the wrong reasons. It was May 2020 all over again and once again, it was our daughter Mo who broke the news which a note on Messenger, 'Sad news about Jet!'. So the thing that we all knew would happen some day has happened. Knowledge of the ill-health that Jet has endured over many years now does not counter the shock of him finally going. These people that we have grown up with, admired and looked up to, musicians, actors, comedians, even politicians, that we always known to be there, are slipping away. In the case of someone like Jet Black, he was a part of my life, admittedly from afar, for more than 40 years, that is incredibly more than three quarters of my life... and I certainly wouldn't consider myself to be a spring chicken!!

Jet was the elder statesman in a band of elder statesmen who had become considerably older still by the time that Jet reluctantly passed on his sticks and his stool (that sounds wrong!) to a younger man. Sure,  he retained an omnipresence in the band even when he wasn't physically present. But he did more than simply guide the band and steady the Stranglers' longship on what were more often than not extremely turbulent and choppy waters. His interest in several esoteric topics, perhaps most notably the UFO story and even more niche, the phenomena within a phenomena of 'The Men In Black', gifted us some of the quirkiest, madcap, brooding and sinister music of the early 1980's. Porky meat sandwich anyone?

I always loved in issues of 'Strangled' that this band of four independent thinkers would address issues that in some way shaped the music of the band and in this respect Jet was always very articulate in presenting a given case. A point in case, although not within the pages of 'Strangled' was the BBC West piece that Hugh and Jet collaborated on about the significance of the colour black and its use as a tool of control and intimidation.... I have worn nothing but black since first seeing it... but I cannot carry off the intimidation part of it!

I am glad that Jet is no longer locked in a head to head battle with failing health, but of course feel greatly for Ava and his family for their loss. But I also think that it is fair to say that Jet, in exactly the same way as his band brother Dave, lived a full life and they lived it well. To be in a band is the dream of many. To be in a band that has success is something that is enjoyed by few. To be in a ground breaking band having one or more of their songs known and loved globally is wonderful. To have lived a life doing something you love across the globe for over 40 years is a rare, yet deserved, privelige.

So thank you Jet Black for the beat and the great memories.

'Well I’ll Be Strangled!'

Big Jet meets Lil’ Jet by Ramona Andrews.

Sculpture in clay and paint.

Jet Black hits 80!

No-one can have missed that last week saw a mile stone in any person's life. It was Jet Black's 80th birthday no less. Mo was thrilled to receive a commission from Ava to do something for the man so she molded and pummeled his features in clay to create a little Jet.

Happy birthday Jet!

Jet Black Interview 1987

Ok, here's another of Eric's remasters. This time a copy of a flexi disc featuring an interview with Jet Black from 1987. Can't remember for certain, but the sleeve notes would indicate that this was a freebie with Top Secret fanzine (which can also be found on this site).

FLAC: https://we.tl/CMCQiWgDp4

Artwork: https://we.tl/VOVy4ehWDx