Aural Sculptors - The Stranglers Live 1976 to the Present


Welcome to Aural Sculptors, a blog aimed at bringing the music of The Stranglers to as wide an audience as possible. Whilst all of the various members of the band that have passed through the ranks since 1974 are accomplished studio musicians, it is on stage where the band have for me had their biggest impact.

As a collector of their live recordings for many years I want to share some of the better quality material with other fans. By selecting the higher quality recordings I hope to present The Stranglers in the best possible light for the benefit of those less familiar with their material than the hardcore fan.

Needless to say, this site will steer well clear of any officially released material. As well as live gigs, I will post demos, radio interviews and anything else that I feel may be of interest.

In addition, occasionally I will post material by other bands, related or otherwise, that mean a lot to me.

Your comments and/or contributions are most welcome. Please email me at adrianandrews@myyahoo.com.


Friday, 30 September 2011

The Purple Helmets at the Hippodrome 27th November 1988

As an accompanying peice to an earlier Purple Helmets thread, here's some information I posted some years ago on the Burning Up Time Forums.



'A recent soiree in London with Paul in London and The Man They Love to Hate (Paul and Owen from this point onwards) led me to dig out some old stuff from the late ‘80’s when the three of us first became acquainted.

Amongst this fading material were a number of items connected to a benefit gig that the Purple Helmets were involved in. Back in Movember 1988, a group of comedians and musicians gathered at The Hippodrome in London’s Leicester Square to mark the 32nd birthday of John McCarthy. In a nut shell, John was a journalist kidnapped in The Lebannon in 1986. More detail can be found here:

http://en.wikipedia.org/wiki/John_McCarthy_(journalist)

Now 1988 was turning out to be one of the quieter years for The Stranglers, so the Purple Helmets went a long way to fill the gap. To be honest, I don’t think many of the people in attendance that night relished the prospect of an evening spent in the Hippodrome, them (and perhaps still) a tacky yet expensive night club in the centre of the West End of London. This was in a London that was where the yuppie still held sway… in a word, Hippodrome people were not my people! Nevertheless, as I said, beggars cannot be choosers and it really was a quiet year.

Perhaps we met up in Oxford Steet and had a few beers in The Tottenham on the junction of Oxford Street and Charing Cross Road, that is what was becoming a habit at the time. To be honest, I cannot fully recollect who was there on the night. I know that Raj was there (and Paul I think). We were gathered at the stage door as some of the nights ‘attractions’ started to arrive. Ranking Roger was a perfect gentlemen and chatted to us for 30 minutes or so. He was intereste in our interest in the Stranglers (he was himself a huge fan of The Clash). Steve Nieve of the Attractions was also pleasant as I recall (although I have to admit at the time, I didn’t know him from Adam!).

The compares of the evening were Steve Frost and Mark Arden, at that time part of a double act called the Oblivion Boys, early participants in the alternative comedy scene and at the time regulars on the essential post pub viewing, Saturday Live (a programme which also played host to The Stranglers in 1987).

The TV cameras were there that night as this was as the Friends of John McCarthy were as you would expect pretty media savvy and this was a very high profile campaign to get John released. There was a cage that you could try set uo in the foyer in order to experience the kind of confinement that he and his fellow captive Brian Keenan were experiencing. I remember speaking very briefly to Jill Morell (his fiancee at the time of his capture). I thought she was gorgeous… remember I was 19 at the time and she struck me as being very sophisticated!

Musically speaking, I thought the night was a great success. As previously mentioned, Rankin Roger was there and I certainly remember Mirror in the Bathroom being played. The aforementioned Steve Nieve was playing keyboards in what was the house band. Tempted was played, which was great, but I can’t for the life of me remember whether it was Chris Difford or Glen Tilbrook who was in attendance on the night.

Sets were short, as is always the case in such events, but the Helmets were on. Despite all of this waffle I don’t remember any specifics of their set, other than knowing what they played!


The stage was only about a foot high and we wanted to make our presence known.

Adrian Onstage with JJ Burnel
27th November 1988

The band on the night were as I recall, in good spirits and were on hand to chat and to sign stuff.


The evening done, I headed back to Ealing with Gunta from where I made my way back to Uxbridge.

I would be intrigued to here of other people’s recolledtions of this night. The Helmets only played a handful of gigs in their short lifetime, and this was one of the more obscure ones.'


There Is A Big Change Coming
I Don’t Care Who You Are
It Will Change Everyone
And With The Big Change Coming
You Better Find Out Who
And What You Really Are Come On

Sheffield Corporation 17th December 2005


FLAC: https://we.tl/t-h9gxV7FukL

1. Norfolk Coast
2. All Day And All Of The Night
3. Death And Night And Blood
4. Big Thing Coming
5. Peaches
6. Skin Deep
7. Always The Sun
8. Long Black Veil
9. I've Been Wild
10. Lost Control
11. Goodbye Toulouse
12. Summat Outa Nowt
13. Walk On By
14. Grip
15. Duchess
16. Burning Up Time
17. Toiler On The Sea
18. Five Minutes
19. Tank
20. Mine All Mine
21. No More Heroes

King's Lynn Town Featival 17th July 2004


Moving swiftly on, here's a summer festival date from 2004.

FLAC: https://we.tl/t-Gacs03Kqhs

  1. Waltzinblack
  2. Norfolk Coast
  3. Skin Deep
  4. Big Thing Coming
  5. Peaches
  6. I Don't Agree
  7. All Day And All Of The Night
  8. Always The Sun
  9. Long Black Veil
  10. Golden Brown
  11. Mine All Mine
  12. Duchess
  13. Lost Control
  14. I've Been Wild
  15. Grip
  16. Tank
  17. No More Heroes
Full artwork here:
Front
Back

Cabot Hall London 3rd October 2003


Now this was a gig that I nearly came out of my self imposed exile for. The reason was the location. At the time I was working in Gallions Reach, right at the end of the Docklands Light Railway, but only half an hour from Canary Wharf. Some of the pubs in the area were well known to us (the selected locations of a variety of leaving do's, other celebrations etc etc). However, in the event, grabbing a handful of flyers was a near as I got. I think that it was the flyer that put me off 'Standing, some limited unreserved seating on a first come first served basis'. I have always had an issue with seating at gigs, it's just not for me and the possibility of watching The Stranglers in the company of besuited bankers fresh from the office turned me.

Anyway, here it is, a quite listenable recording from the night.

 http://www.megaupload.com/?d=C4W3G0U0

  1. Instead Of This
  2. Let Me Down Easy
  3. Strange Little Girl
  4. Walk On By
  5. English Towns
  6. European Female
  7. Southern Mountains
  8. Face
  9. Tuckers Grave
  10. Cruel Garden

  1. Always The Sun
  2. Don’t Bring Harry
  3. Santfe Kuss
  4. Sinister
  5. In The End
  6. Mine All Mine
  7. Still Life
  8. Princess Of The Streets
  9. Golden Brown
  10. Old Codger
  11. No More Heroes
Full artwork here (and also as pdfs in the download file)

Saturday, 17 September 2011

Pontins Convention Somerset 14th -16th September 2001


With a new Stranglers Convention almost upon us, here's one they did earlier. This is not the entire weekend, only the two Stranglers sets, I do not have the JJ and Baz solo sets unfortunately.

Pontins Convention
14th September 2001

Acoustic Set

  1. Walk On By
  2. Let Me Down Easy
  3. Still Life
  4. Face
  5. Southern Mountains
  6. Sanfte Kuss
  7. Dutch Moon
  8. In The End
  9. Cruel Garden
  10. Old Codger
  11. Always The Sun
  12. Golden Brown
  13. Strange Little Girl
  14. Princess Of The Street
  15. Mony Mony
Pontins Convention
15th September 2001

Electric Set

  1. Intro
  2. The Raven
  3. Threatened
  4. Five Minutes
  5. Coup De Grace
  6. I’ve Been Wild
  7. Dead Ringer
  8. Sometimes
  9. Valley Of The Birds
  10. Skin Deep
  11. Peaches
  12. Something Better Change

  1. Thrown Away
  2. Who Wants The World
  3. Norfolk Coast
  4. Sinister
  5. Grip
  6. Tank
  7. Curfew
  8. Out Of Time
  9. Duchess
  10. Hanging Around
  11. No More Heroes

Saturday, 10 September 2011

19 Sleeps Until The Specials in Brussels!!


Next week The Specials embark on the European leg of their long awaited 2011 tour, widely understood to be their last gigs together. I am terribly exited by a planned trip to see them in Brussels on the last date before the UK tour. I love the social aspects of UK dates, but to see a band abroad will always be that little bit more special - no pun intended, exotic I suppose (even in Belgium!).

Whilst the reunited Specials gigs to date have focussed on the first album plus singles, it is strongly rumoured that on this final tour both albums will be played through. For those not familiar with the 'More Specials' album it is very different from the first 'Specials' album.

By the time it was released, the band were exhausted by the cruel touring schedule that such a rapid rise in popularity demands, the process of writing new material for a second album on the road was not ideal (an age old problem for bands) and the claustrophobic atmosphere on a cramped tour bus (well their were a lot of them!) resulted in a serious clash of personalties. Of particular concern was the state of the relationships between some members of the band and 'The General', Jerry Dammers, a key driving force behind the whole 2 tone ethos (label, bands, look etc) and a man with strong ideas of the band's direction for the next LP.

Dammers was looking to move away from the Blue Beat/punk fusion (the signature '2 tone sound' at that time), rather favouring a more organ driven sound, Jerry was keen on a 'lounge' style by this time. However, it is fair to say that not all of the band shared Jerry's vision. This is perhaps understandable, given that in 1980, the 'movement' was at its height, half the country was decked out in the rude boy style and expectant of more of the same. Nevertheless, despite internal friction, to a large extent the General's will prevailed, the musical style of the first album was strictly 1979 and the result of the new direction became..... 'More Specials'.



I think that 'More Specials' is every bit as good as 'The Specials' and in some aspects I would say that it surpasses the first, being more complex (but certainly not more accomplished for sure) and diverse that 'Specials'. The themes remain similar in some areas 'Stereotype', 'Do Nothing' and 'Rat Race' (not on the album, but a contemporary 45), but new themes were included that reflected the impact that the last 18 months of massive success had had on the band e.g. 'International Jet Set'. Underpinning much of the music on this album was Jerry's new style which was perfect for the album.

The Specials in their intense and sadly short career formed the perfect musical backdrop to the times. Writers advise other writers to stick to and document what they know and understand. This is a principle that The Specials adhered to throughout. Listen to the first album and the upbeat ska/punk pace cannot disguise the lyrical content.


The songs reflect hopelessness, fear and violence (in a very English, self-effacing style) as industry, specifically the car industry, the backbone of Coventry's very post-war existence, crumbled under the new politics of the day. These themes were carried over to the next album with perhaps more irony and melancholy.

Last year Gunta and I took the kids to Coventry for the first time to show them their mum's school, house where she grew up etc. The visit was timed to coincide with the run of the play 'Too Much Pressure' at the city's Belgrade Theatre. It was a great play, but for me the most poignant moment came when a radio broadcast was played announcing the imminent closure of one of the city's main car plants. The braodcast included a soundbite of Margaret Thatcher justifying the closure. At the very sound of her voice, the entire audience spontaniously started jeering. Evidence that the for the audience (mostly in the 40-60 age range), the hardships experienced by the working people of Coventry in the early years of the 1980's were still keenly felt even now. 'Thatcherism' has been neither forgotten nor forgiven.


'Too Much Pressure'
Begrade Theatre, Coventry  February 2011

Here's a gig, one of the last the first incarnation were to play, that features most of the second album.



NEW LINK: http://we.tl/i2rb7bIK16

http://www.megaupload.com/?d=QUG6QO18

Full artwork here:
Front
Back

The Specials imploded after the release of 'Ghost Town', whith Terry, Lyn and Neville forming the Fun Boy 3 and Jerry, Horace and Brad reverting to the Special A.K.A. (who in due course gave us the wonderful 'Free Nelson Mandela').

'Ghost Town'
The Specials TOTP July 1981

With all that the band stood for and tried to achieve it was so fitting that 'Ghost Town' topped the UK chart at the time when the county's inner-cities exploded into violence. Without wishing to justify rioting, the unrest of the summer of 1981 was very different from the riots seen in England this summer. Back in 1981 the violence was largely directed at the police, their policies as well as the overall political situation (as opposed to retail outlets in 2011!).

The inquest into the causes of the riots resulted in the publication of the Scarman report which concluded that:

Last April's riots in Brixton, south London were caused by serious social and economic problems affecting Britain's inner cities. Lord Scarman's inquiry into what he called the worst outbreak of disorder in the UK this century also blamed "racial disadvantage that is a fact of British life".

The report criticised police and the government, but it said there was no excuse for the violence and praised officers for their conduct during the disorder.

Radical changes in policing resulted.

Perhaps the Scarman report should have been distributed to police chiefs and politician's alike with a complimentary copy of 'Specials'. The perfect mix.